René Kalisky

Falsch, his last play, was then created in 1983 by Antoine Vitez in Paris, Théâtre National de Chaillot, and later on adapted by the Dardenne brothers into a movie that was screened in 1987, starring Bruno Cremer.

His last pieces were mostly directed by French theatrical companies, "Sur les ruines de Carthage" (1980). Several theater and film directors expressed an increasing interest in Kalisky and brought his works to the stage, including Antoine Vitez, Albert-André Lheureux, Ewa Lewinson, Bernard de Coster, Jean- Pierre Miquel, or Marcel Delval. Since 1974, Kalisky's plays have been played and replayed on the most National stages, such as Le Botanique Garden Theater in Brussels, the Théâtre National de l'Odéon, at the Comédie Francaise, the Théâtre de l'Est Parisien, or Théâtre National de Chaillot and the Festival d’Avignon.

His career slowly began to flourish as he received several literary prizes, including the Annual Dramatic Literature Prize awarded by the Society of Dramatic Authors and Composers in 1974 and the Triennial Grand Prize for Dramatic Literature awarded by the Government in 1975. He then was awarded by Germany and asked to craft an original project across a yearlong stay in former western Berlin. In 1977, the French editor, Stock published several controversial pieces, including, “La passion selon Pier Paolo Pasolini”, “Dave au bord de mer”, “Résumé” and “Du sur jeu au sur texte” in which he describes us his own and personal vision of his theater work.

He began his career in the field of publishing as a secretary and, in the field of journalism, notably the Patriot Illustré, before taking the path to theater. In 1968, he began with the publication of Europa, in Belgium. Kalisky wrote several historical pieces including Trotsky (1969), Skandalon (1970), Jim le Téméraire and Le Pique-Nique de Claretta (1973). He also authored two major essays published in 1968 and reissued in the 1980s on Arab political history, L’origine et l’essor du monde arabe and Le monde arabe à l'heure actuelle: Le réveil et la quête de l’unité. He worked with Jacques Lemarchand, director of the established collection "Le Manteau d’Arlequin", at Gallimard in France until 1974.

René Kalisky (French: [ʁəne kaliski]; born Kaliski, Polish: [kaˈliskʲi]; 20 July 1936 – 6 May 1981) was a Belgian writer of Polish-Jewish descent who is best known for the plays he wrote in the last 12 years of his life. Kalisky, whose father, Abraham Kaliski was killed at Auschwitz, was himself hidden from harm during World War II.

Kalisky was born in Etterbeek, one of municipalities located in the Brussels-Capital Region of Belgium, 20 July 1936. His father Abram Kaliski was born in Lodz 10 May 1908. His grandparents, Solomon Yitzhak Kaliski and Hadassah Kaliski had at least 8 children, who all perished during the holocaust except for one son and one daughter. After his wife's death, fleeing the pogroms, Solomon traveled to South Africa before ending up in Mandatory Palestine at the beginning of the century and died in Tel-Aviv in 1948, aged 80. Abram emigrated to Belgium where he became a leather merchant and a dancer. Aged 23, in 1932, he met and married Fradla Wach, born in Warsaw on November 15, 1901. They had four children: René who became a writer, Haim who became a historian, cartoonist and author, Sarah who became a painter and Ida. All of the four children were dispatched and remained hidden in separate places during the war. Their parents stayed alone and survived almost until the surrender of the Nazi German forces. Abram nevertheless was caught by the Belgian police while seeking milk for their newborn. After being imprisoned and tortured in the Mechelen transit camp, he reportedly was assassinated in Auschwitz around December 1944, being 36 years old. Fridla gathered her four kids and raised them alone after the war ended. Kalisky was about eight years old when he lost his father. Although their mother was illiterate, he recalled his parents always wished their children could become accomplished artists.