Reuven Snir

Since the start of his academic career, Snir has concentrated on several subjects stemming from one comprehensive research plan in an attempt to investigate the internal dynamics of the Arabic literary system, the interrelations and interactions between its various sectors, such as the canonical and non-canonical sub-systems, and the external relationships with other non-literary systems (e.g. religious, social, national, and political) and with foreign cultural systems. Another central theoretical axis of Snir’s studies, especially during the last decade, is the issue of identity based on what has been argued in the theoretical discourse of cultural studies that identities are subject to a radical historicization, and are constantly in the process of change and transformation and they are about questions of using the resources of history, language and culture in the process of becoming rather than being: not “who we are” or “where we came from”, so much as what we might become, how we have been represented and how that bears on how we might represent ourself.

One of Snir’s major research projects has been the investigation of the development of Palestinian theatre. His first contribution in the field was included in a special volume of Contemporary Theatre Review on “Palestinians and Israelis in the Theatre.”

The connections between Arabic literature and Islamic mysticism were in the centre of some of Snir’s investigations and publications. In 2005 he summarized his findings in a book which deals with the synchronic status of traditional literature in the literary system and the diachronic relationship between Arabic literature and Islam in modern times. Also, within the generic cross-section, it deals with the mystical theme in Arabic poetry, its literary and extra-literary concretization in the writings of one author, and its materialization in one text.

Snir’s translations of Hebrew poetry into Arabic were published in Mifgash-Liqa’ (Israel), Farādīs (Paris), and on the Internet, such as in www.elaph.com. An anthology of Hebrew poetry translated into Arabic was published on the Internet.

He was educated at the Nirim School in Mahne David, a transit camp (ma‘barah) established near Haifa for the immigrating Arab Jews. Then he moved to the Hebrew Reali School in Haifa. He obtained his M.A. from the Hebrew University (1982) for a thesis which included edition of an ascetic manuscript entitled Kitāb al-Zuhd by al-Mu‘afa ibn ‘Imran from the 8th century.

Poetry was once the principal channel of literary creativity among the Arabs and served as their chronicle and public register, recording their very appearance on the stage of history. During the second half of the 20th century however the novel became the leading genre. This change in the status of literary genres is not exclusive to Arabic literature and has much to do with the hermetic nature of modernist poetry, which has become self-regarding and employs obscure imagery and very subjective language. In an attempt to present the great change that occurs in Arabic poetry during the 20th century, Snir published a study of the poetry of the Iraqi poet ‘Abd al-Wahhab Al-Bayati, one of the standard bearers of modern Arabic poetry.

Adonis, Maftah Pe‘ulut ha-Ruah (Index of the Acts of the Wind (Tel Aviv: Keshev, 2012)

Translations of Arabic literature, especially poetry, into Hebrew were published in literary supplements, magazines and books (Helikon, Moznaim, ‘Iton 77, Mifgash-Liqa’, Ha’aretz, Ma‘ariv, Al HaMishmar).

His last book is Modern Arabic Literature: A Theoretical Framework, Edinburgh: Edinburgh University Press, 2017

Mahmud Darwish ― 50 Shenot Shira (Mahmud Darwish ― 50 Years of Poetry) (Tel Aviv: Keshev, 2015)

Reuven Snir, Baghdad ― The City in Verse (Cambridge, MA: Harvard University Press, 2013)

In 2005 he published a book which summarized his findings. The study endeavors to outline the historical development of Palestinian dramatic literature and theatre from its hesitant rise before 1948 and the first theatrical attempts, to the heavy blow which these attempts suffered as a result of the establishment of the State of Israel, to regeneration of the professional theatre out of the ashes of the 1967 defeat, through to the activities of the 1970s and the role they played in Palestinian nation-building.

Snir served as a Contributing Editor for Encyclopedia of Modern Jewish Culture (London & New York: Routledge, 2005) for which he has contributed the entries on Arab-Jewish culture. He also contributed to several other international encyclopedia.

He served as a fellow at Wissenschaftskolleg zu Berlin (2004–2005), Oxford Centre for Hebrew and Jewish Studies (2000 and 2008), and taught at Heidelberg University (2002) and Freie Universität Berlin (2005). Following a course he gave in Berlin, his students published the first collection of short stories by Iraqi Jews translated into German.

In 1987, he was granted Ph.D. for a dissertation written at the same university about the mystical dimensions in modern Arabic poetry.

Since the late 1980s, Snir has been investigating Arab-Jewish identity against the backdrop of the gradual demise of Arab-Jewish culture. Until the 20th century, the great majority of the Jews under the rule of Islam adopted Arabic as their language; now Arabic is gradually disappearing as a language mastered by Jews. In his studies on the topic he has referred to a kind of unspoken agreement between the two national movements, Zionism and Arab nationalism – each with the mutually exclusive support of a divine authority – to perform a total cleansing of Arab-Jewish culture. Both of them have excluded the hybrid Arab-Jewish identity and highlighted instead a “pure” Jewish-Zionist identity against a “pure” Muslim-Arab one. In the modern period, Jews were nowhere as open to participation in the wider modern Arab culture as in Iraq, where the Jewish community had lived without interruption for two and a half millennia. In his major study in the field, Snir has provided a documented history of the modern Arab culture of Iraqi Jews.

While studying at the Hebrew University, he served as a senior news editor, at the Voice of Israel, Arabic Section (1977–1988). Between 2000-2004, he served as the Chair of the Department of Arabic Language and Literature at the University of Haifa. Since 1996, he has been serving as an Associate Editor of the Arabic-language journal Al-Karmil – Studies in Arabic Language and Literature. He participated in the international exhibition in honor of the Syrian poet and literary scholar Adunis held at the Institut du monde arabe in Paris, which resulted in the publication of Adonis: un poète dans le monde d’aujourd’hui 1950-2000 (Paris: Institut du monde arabe, 2000).

Reuven Snir (Hebrew: ראובן שניר ‎; born 1953) is an Israeli Jewish academic, Professor of Arabic language and Arabic literature at the University of Haifa, Dean of Humanities, and a translator of poetry between Arabic, Hebrew, and English. He is the winner of the Tchernichovsky Prize for translation (2014).

Reuven Snir was born in Haifa to a family which had immigrated from Baghdad in 1951. The language spoken at home between his parents was the Iraqi spoken Arabic, but as a Sabra – a native-born Israeli Jew – Hebrew was his mother tongue, while Arabic was for him, as dictated by the Israeli-Zionist educational system, the language of the enemy, furthermore, Arabness and Jewishness were considered as mutually exclusive.

Concentrating broadly on how Palestinian poetry has been chronicling the nakba (the catastrophe of 1948) and its unending agonies, Snir has studied a specific chronicle of the Palestinian people in the mid-1980s against the backdrop of the Israeli invasion of Lebanon in 1982 and prior to the outbreak of the first intifada in the West Bank and Gaza Strip. In fact, it is a chronicle undertaken by a single poet, Mahmud Darwish (1941–2008) mainly in one collection, Ward Aqall [Fewer Roses] (1986), and more specifically in one poem, “Other Barbarians Will Come”.