Richard Bernstein

The 2018/19 season with the Metropolitan Opera he performed Pistola in Falstaff, Zuniga in Carmen, Bello in La Fanciulla del West, 2nd Armored Man in The Magic Flute and Commissioner #2 in Dialogues des Carmélites while also covering roles in Gianni Schicchi, Samson et Dalila, Adriana Lecouvrer, Tosca and Siegfried.

In the 2017/18 season with the Metropolitan Opera, Mr. Bernstein performed in Die Zauberflöte – both the full-length opera in German and a family-friendly abridged version in English – Tosca and Parsifal, while also covering roles Le nozze di Figaro, Elektra, Roméo et Juliette, and the American premiere of Thomas Adès’s The Exterminating Angel (new production). In addition he performed the role of Angelotti in Tosca with The Philadelphia Orchestra under the baton of Maestro Yannick Nézet-Séguin, bass soloist in Beethoven’s magisterial Ninth Symphony with the New Jersey Choral Society, and returned to one of his touchstone roles: Leporello in Don Giovanni, at Chautauqua Opera.

His repertoire in general spans a number of styles and languages, from the bel canto of Rossini (Mustafà in L'italiana in Algeri) to classic French opera (Sancho Panza in Don Quichotte) to 20th-century works such as Benjamin Britten's Albert Herring (Superintendent Budd). He has also sung three of the four lower-voice roles in Mozart's Don Giovanni – Leporello, Masetto, and the title character – including one memorable concert version performed in Bellingham, WA, where he performed both Leporello and Masetto in the same evening. The original Masetto cancelled at the last minute due to illness; Bernstein, scheduled to sing Leporello, volunteered to sing both roles, which he did without a score and semi-staged.

Next, he created the role of determined prosecutor Orville Mason in Picker's An American Tragedy (based on the Theodore Dreiser novel), which had its world premiere at the Metropolitan Opera in the 2006–07 season. He assumed the role of Lord Krishna in the Met Opera premiere of Philip Glass's opera Satyagraha – a performance he recreated for the Met's Live in HD international broadcast in 2011. Other modern American roles include Frank Maurrant and Olin Blitch from the classic American repertoire pieces Street Scene and Susannah, respectively.

Contemporary American opera has played a significant role in Bernstein's career, which includes two world premieres. At Dallas Opera in the 2001–02 season, he created the role of Laurent, the lover (and murder accomplice) of the title character in Thérèse Raquin by Tobias Picker. In 2002–03, Bernstein was featured as Marco in the Metropolitan Opera premiere of William Bolcom's A View From the Bridge, a role he reprised for Washington Opera in 2007–08.

The title role in Mozart's Le nozze di Figaro (The Marriage of Figaro) has been a career-defining role for Bernstein. He made his Lyric Opera of Chicago debut in the role as a last-minute substitute for Bryn Terfel in 1998, and has sung the opera in several major houses, including at the Metropolitan Opera, Los Angeles Opera, Bayerische Staatsoper (his German debut), and the Teatro Maggio Musicale in Firenze (his Italian debut, with Zubin Mehta conducting).

In December 1995, he made his European debut as Orest in Elektra in a high-profile concert version in Valencia with the soprano Leonie Rysanek. Other notable concert debuts include his Chicago Symphony Orchestra debut at the Ravinia Festival in July 1998 (soloist in Beethoven's Symphony No. 9), and his Carnegie Hall debut singing the Verdi Requiem in May 1999.

He made his Metropolitan Opera debut in October 1995 as Zuniga in Carmen and has performed 381 times with the company, including several Live in HD broadcasts (broadcast live into movie theaters internationally). His repertoire with the company includes roles in operas ranging from Tosca and La bohème to Das Rheingold to From the House of the Dead, Wozzeck and Jenufa.

After his graduation from college, Bernstein joined the Los Angeles Opera's Resident Artist Program. He became a recurring face with the L.A. Opera for a number of years, performing in several productions in the late 1990s and early 2000s. He began his career as a bass-baritone and made a reputation for himself not only for the burnished tone of his voice, but the physicality of his performing (as noted in an early Opera News profile).

Richard Bernstein (born July 30, 1966 in Brooklyn, New York) is an American bass. He grew up in Brooklyn, New York, with his three siblings, all of whom have followed artistic pursuits, and spent his high school years in Colorado. He attended the University of Southern California and graduated with a Bachelor of Music degree in vocal performance. He is currently a member of the Metropolitan Opera; 2018–19 is his 24th consecutive season with the company; he sang his 400th Met performance on January 27, 2018 and has been a part of more than 125 international live broadcasts with the company.