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Richard Gaskin (Richard Maxwell Gaskin) was born on 8 May, 1960 in Glasgow, Scotland, United Kingdom, is a philosopher. Discover Richard Gaskin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 63 years old?
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Richard Maxwell Gaskin |
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64 years old |
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Taurus |
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8 May, 1960 |
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8 May |
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Glasgow, Scotland, United Kingdom |
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United Kingdom |
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He is a member of famous philosopher with the age 64 years old group.
Richard Gaskin Height, Weight & Measurements
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Richard Gaskin Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Richard Gaskin worth at the age of 64 years old? Richard Gaskin’s income source is mostly from being a successful philosopher. He is from United Kingdom. We have estimated
Richard Gaskin's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
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Pending |
Salary in 2022 |
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philosopher |
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Timeline
Gaskin is the author of many published articles and nine books, including: Language and World: A Defence of Linguistic Idealism (2020), Tragedy and Redress in Western Literature: a Philosophical Perspective (2018), Language, Truth, and Literature: a Defence of Literary Humanism (2013), The Unity of the Proposition (2008), Experience and the World's Own Language: a Critique of John McDowell's Empiricism (2006), and The Sea Battle and the Master Argument: Aristotle and Diodorus Cronus on the metaphysics of the future (1995).
A central part of Gaskin's work focuses on the doctrine of linguistic idealism, the idea that the world is produced by, and depends on, language. Gaskin argues that the dependence of the world on language is a logical and constitutive one, rather than a temporal one: objects (such as tables and chairs) exist in virtue of, and are constituted as objects by, the existence of sentences about them; language 'makes the world', but not in the sense that there was a time at which it pre-existed the world. Although human language is a purely contingent product of evolution, there is a transcendental sense in which the existence of the world depends on the existence of language—more precisely, on the capacity of language to talk about the world. In Gaskin's view the world is constitutively composed of propositions, which are referents of sentences; these propositions contain the ordinary objects of our discourse. In Language and World (2020), Gaskin develops the theory of linguistic idealism and defends it against several objections. He addresses the problem that some mathematical entities, in particular uncomputable sets of real numbers, cannot be distinguished by language; he does this by developing a ‘split-level' version of linguistic idealism. In his approach all the basic entities of the world can be named in language, and all further entities, even if they cannot be named, can be derived from these basic entities by describable constructive operations. In Tragedy and Redress in Western Literature: A Philosophical Perspective (2018), Gaskin argues that not even the tragic aspects of life (such as pain and suffering) are beyond language, an objection commonly raised against the idea that language is omnicompetent to talk about and describe reality.
Language and world: a Defence of Linguistic Idealism (Routledge 2020).
A Defence of the Resemblance Meaning of “What it’s like”, Mind 128, 2019, 673–98. DOI 10.1093/mind/fzx023.
From the unity of the proposition to linguistic idealism, Synthese 196, 2019, 1325–42. DOI 10.1007/s11229-016-1081-5.
Tragedy and Redress in Western Literature: a Philosophical Perspective (Routledge 2018).
The Identity Theory of Truth, Stanford Encyclopedia of Philosophy, published May 1, 2015.
Language, Truth, and Literature: a Defence of Literary Humanism (OUP 2013).
When Logical Atomism met the Theaetetus: Ryle on Naming and Saying, in M. Beaney ed., The Oxford Handbook of the History of Analytic Philosophy (Oxford: OUP, 2013), 851–69. DOI 10.1093/oxfordhb/9780199238842.013.0037.
Reach's Puzzle and Mention (co-authored with Daniel J. Hill), Dialectica 67, 2013, 201–22. DOI 10.1111/1746-8361.12021.
On Neutral Relations (co-authored with Daniel J. Hill), Dialectica 66, 2012, 167–86. DOI 10.1111/j.1746-8361.2012.01294.x.
Bentley's classicism, Paradise Lost, and the Schema Horatianum, International Journal of the Classical Tradition 17, 2010, 354–65. DOI 10.2307/40931338.
Realism and the Picture Theory of Meaning, Philosophical Topics 37, 2009, 49–62. DOI 10.5840/philtopics200937115.
John Wyclif and the Theory of Complexly Signifiables, Vivarium 47, 2009, 74–96. DOI 10.1163/156853408X345927.
Experience and the World's Own Language: a Critique of John McDowell's Empiricism (Clarendon Press 2006).
Complexe Significabilia and Aristotle's Categories, in J. Biard und I. Rosier-Catach eds., La Tradition Médiévale des Catégories (Louvain: Peeters, 2003), 187–205. ISBN 90-429-1335-5.
Fatalism, Middle Knowledge, and Comparative Similarity of Worlds, Religious Studies 34, 1998, 189–203. DOI 10.1017/S0034412598004338.
Simplicius on the Meaning of Sentences: a Commentary on In Cat. 396,30–397,28, Phronesis 43, 1998, 42–62. DOI 10.1163/15685289860517793.
Peter Damian on Divine Power and the Contingency of the Past, British Journal of the History of Philosophy 5, 1997, 229–47. DOI 10.1080/09608789708570965.
Russell and Richard Brinkley on the Unity of the Proposition, History and Philosophy of Logic 18, 1997, 139–50. DOI 10.1080/01445349708837284.
The Stoics on Cases, Predicates and the Unity of the Proposition, in Aristotle and After ed. R. Sorabji (London: Institute of Classical Studies, 1997), 91–108. DOI 10.1111/j.2041-5370.1997.tb02264.x.
Fregean Sense and Russellian Propositions, Philosophical Studies 86, 1997, 131–54. DOI 10.1023/A:1017929320501
The Sea Battle and the Master Argument: Aristotle and Diodorus Cronus on the Metaphysics of the Future (Walter de Gruyter 1995).
Do Homeric Heroes make Real Decisions?, Classical Quarterly 40, 1990, 1–15. DOI 10.1017/S0009838800026768.
Peter of Ailly and other Fourteenth-Century Thinkers on Divine Power and the Necessity of the Past, Archiv für Geschichte der Philosophie 79, 1997, 273–91. DOI 10.1515/agph.1997.79.3.273.
Richard Maxwell Gaskin (born 8 May 1960) is a British philosopher who serves as a professor at the University of Liverpool. He has published on metaphysics, philosophy of language and logic, and history of philosophy, as well as on philosophy of literature, literary theory, and the European literary tradition. Gaskin received his Bachelor of Arts, Bachelor of Philosophy, and Doctor of Philosophy degrees in classics and philosophy at University College, Oxford, and has held academic posts at St Edmund Hall, Oxford, as well as at the University of Sussex.
Gaskin was born in 1960 in Milngavie, Glasgow, and attended Robert Gordon's College, Aberdeen, where his father, Maxwell Gaskin, held the Jaffrey Chair of Political Economy. He studied literae humaniores (classics and philosophy) at University College, Oxford, and obtained his BA (first class) in 1982. While an undergraduate at Oxford he was secretary of the Oxford University Dramatic Society from 1981 to 82, and directed a production of Marlowe's Dr Faustus at the Oxford Playhouse in March 1981. He took the BPhil exam in 1986, supervised by John McDowell. In 1987 he won the Gaisford Dissertation Prize in classical literature for his essay Tragedy and Subjectivity in Virgil’s 'Aeneid' . He was awarded the DPhil in 1988 for a thesis supervised by Michael Dummett, David Wiggins, and Barry Stroud, entitled Experience, Agency, and the Self. From 1988 to 1989 Gaskin spent a year as an Alexander von Humboldt visiting fellow at the University of Mainz, Germany, researching decision-making in classical literature under the Virgilian scholar Antonie Wlosok. From 1991 to 2001, he was a Lecturer (from 1997 Reader) in Philosophy at the University of Sussex. In 2001 he became Professor in the Department of Philosophy at the University of Liverpool.
Can Aesthetic Value Be Explained?, British Journal of Aesthetics 29, 1989, 329–40. DOI 10.1093/bjaesthetics/29.4.329.