Age, Biography and Wiki

Robert Krasker was an Australian cinematographer who worked in the film industry for over 40 years. He is best known for his work on the classic films The Third Man (1949) and The African Queen (1951). He was nominated for an Academy Award for Best Cinematography for The Third Man and won the BAFTA Award for Best Cinematography for The African Queen. Krasker was born in Perth, Western Australia, and began his career in the film industry in the 1930s. He worked as a camera operator and cinematographer on a number of Australian films before moving to England in the 1940s. He worked on a number of British films before being hired by director Carol Reed to shoot The Third Man. Krasker's work on The Third Man was widely praised and he was nominated for an Academy Award for Best Cinematography. He went on to work on a number of other classic films, including The African Queen, The Bridge on the River Kwai (1957), and Lawrence of Arabia (1962). Krasker died in London in 1963 at the age of 50. He was posthumously awarded the BAFTA Award for Best Cinematography for The African Queen.

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Occupation cinematographer,camera_department
Age 68 years old
Zodiac Sign Leo
Born 13 August, 1913
Birthday 13 August
Birthplace Perth, Western Australia, Australia
Date of death 16 August, 1981
Died Place London, England, UK
Nationality Australia

We recommend you to check the complete list of Famous People born on 13 August. He is a member of famous Cinematographer with the age 68 years old group.

Robert Krasker Height, Weight & Measurements

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Robert Krasker Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Robert Krasker worth at the age of 68 years old? Robert Krasker’s income source is mostly from being a successful Cinematographer. He is from Australia. We have estimated Robert Krasker's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
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Net Worth in 2022 Pending
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Source of Income Cinematographer

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Timeline

1967

He was proposed by producer Harry Saltzman as director of photography for "Billion Dollar Brain" (1967), but his initial interview with director Ken Russell was disastrous - Russell, perhaps to assert himself over Saltzman, was insulting about Krasker's work on the recent film, "The Trap". Krasker replied that Russell needed a documentary cameraman and turned the film down, never working on a feature film again. He did photograph a couple of short films and several commercials later on, though.

1960

Krasker's style of photography went out of fashion with the increasing popularity of the New Wave in the 1960s.

1954

Krasker deservedly won an Oscar for his work on 'The Third Man' and went on to shoot the visually glorious Senso (1954) for Luchino Visconti in Italy, in turn followed by one of the best-looking epics of the 50s: El Cid (1961) -- with its famous long shot of the dead hero, riding away tied upright to his horse.

1947

He adopted a suitably harsher, almost semi-documentary look working with director Carol Reed on Odd Man Out (1947) and The Third Man (1949). Both films are characterised by expressionistic camera angles, chiaroscuro lighting and conspicuous close-ups.

1942

From 1942, he worked as director of photography, showing his flair in all photographic media, from the softly lit, subtle black & white of Brief Encounter (1945) to the gaudy 'cartoon colour' pageantry of Henry V (1944).

1939

As a camera operator, Krasker cut his teeth on Technicolor spectacles like The Four Feathers (1939) and The Thief of Bagdad (1940).

1932

A somewhat underrated figure in cinematographic history, Australian-born Robert Krasker handled some of the most memorable films made in Britain after the Second World War. In his youth he attended art classes in Paris and studied photography at the Photohaendler Schule in Dresden. He briefly worked for Paramount in Paris before joining Alexander Korda's London Films at Denham Studios in 1932.

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