Age, Biography and Wiki
Ron Meyers (potter) was born on 1934 in Buffalo, NY, is a teacher. Discover Ron Meyers (potter)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 89 years old?
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1934, 1934 |
Birthday |
1934 |
Birthplace |
Buffalo, NY |
Nationality |
Georgia |
We recommend you to check the complete list of Famous People born on 1934.
He is a member of famous teacher with the age years old group.
Ron Meyers (potter) Height, Weight & Measurements
At years old, Ron Meyers (potter) height not available right now. We will update Ron Meyers (potter)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ron Meyers (potter) Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Ron Meyers (potter) worth at the age of years old? Ron Meyers (potter)’s income source is mostly from being a successful teacher. He is from Georgia. We have estimated
Ron Meyers (potter)'s net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Under Review |
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Pending |
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Under Review |
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Source of Income |
teacher |
Ron Meyers (potter) Social Network
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Timeline
Meyers' parents encouraged him to pursue the arts after seeing a poster he drew in middle school. As noted in a 2016 exhibition at Auburn University, "When continuing on to high school he enrolled in the art program and discovered a love for comic books. It was not so much their stories, but rather the stark black-and-white drawings of femmes fatales in comics like Terry and the Pirates and Steven Canyon that captured his attention."
Meyers' cited influences begin with his childhood interest in cartoons, and his later interest in Japanese Shino ware and English slipware of the 16th through 18th centuries. He noted a memorable encounter with a 16th century Japanese Shino water ewer at the Royal Ontario Museum of Arts, saying "it had a crooked spout, finger marks, a drippy, grazing glaze, a handle slightly askew...It seemed to revel in its blemishes and technical faults. It was the spirit or approach...that I was after." Likewise, he noted that English slipware had a "playfulness and sense of humor...these pieces had a naive quality, lack of pretense, no-guilt approach...it was this attitude...that I wished to adopt." Others have noted influences including Pablo Picasso, Marc Chagall, Bernard Leach, and Shoji Hamada.
In 2013, the Arkansas Arts Center hosted "Ron Meyers: A Potter's Menagerie", billed as "the first comprehensive exhibition of the artist's work", featuring "more than one hundred ceramics in a variety of forms." Also in 2013, fellow potter and former student George McCauley released a film about Ron's work titled "Ron Meyers and the Usual Suspects," which screened at numerous locations including the Mobile Museum of Art. The 'usual suspects' in the film's title refer to the animals that recur frequently in Meyers', including pigs, rabbits, rats, fish, cats, etc.
In 1995, the Museum of Arts and Sciences in Macon, Georgia, hosted a retrospective show titled "Ron Meyers: Thirty Years", featuring 75 works. In 2008, the Northern Clay Center in Minneapolis, Minnesota, inducted him as a Regis Master, which seeks to honor "senior artists who have had a major impact on the development of 20th and 21st century ceramics." Past recipients include Don Reitz, Val Cushing, Nino Caruso, Gutte Eriksen, and Paul Soldner, and Meyers later said he was "awestruck" at the honor as he was a C student most of his life. That same year, he was awarded the Excellence in Teaching Award by the National Council on Education for the Ceramic Arts.
Meyers is known for his functional pottery, including plates, cups, bowls, vases, teapots, and other usable forms. His primary work is wheel-thrown, though he also has a body of sculptural work including candlesticks and masks, as well as drawings. His earlier works were primarily in stoneware before switching to low-fire earthenware in the late 1970s-1980s. In the mid-1990s, Meyers expanded his work to include low-fired, salt-glazed pieces, about which he said, "I needed a vehicle to reduce the color and instill a pure sense of form."
Before teaching ceramics at Rochester Institute of Technology, he taught art at Gowanda Central School District in Gowanda New York. He taught ceramics at the University of South Carolina from 1967-1972, and then at the University of Georgia from 1972 until his retirement in 1992. He remains an emeritus faculty member of the Lamar Dodd School of Art at the University of Georgia. In 2019, the Lamar Dodd school launched a student support fund to raise the necessary capital to endow the Ron Meyers Graduate Award in Ceramics, which will be awarded annually in honor of Meyers' legacy.
Meyers earned his Bachelor of Science (1956) and Master's degree (1961) in Art Education from the State University College at Buffalo, followed by his MFA in Ceramics (1967) from the School for American Craftsmen at the Rochester Institute of Technology where he studied under noted potter Frans Wildenhain. Wildenhain and Hobart Cowles served as advisors for his MFA thesis, "Ceramic hibachis and serving dishes".
Ron Meyers (born 1934) is an American studio potter and ceramics teacher known for producing functional pottery featuring animal and human forms. His work is featured in numerous museums and notable collections, including the Smithsonian American Art Museum, the Georgia Museum of Art, and the Rosenfield Collection, and he has presented more than 100 workshops in the US and internationally. He has been described as "one of his generation's most important potters" and "an icon of the American ceramics community."
Meyers was born in Buffalo, NY, in 1934. His family cottage along Lake Erie in Irving, NY, would later become the site of his summer studio, and he credits his comfort there to his childhood connection. "All the family ghosts are there. It's a blue collar area. I just feel real comfortable there. It's just a nice place to be - I remember my past there and I want to stay connected with it."