Ryan Martinie

Martinie is known as a precise player. Even when playing his Pedulla fretless he uses quick movements and jogs up and down the neck. Martinie tends to accentuate his work with thick low end, double stops, and chords that add warmth or awkward tension ("Pharmaecopia", "World So Cold" and "Not Falling"). He uses harmonics that add a bright sound to his variety of styles, such as the intro to "Death Blooms" and "Out To Pasture". On his unique tapping technique, he stated: "I’m not a pedal guy, but I like the sound that people get from octave pedals. So, to organically create that effect, I used my right-hand middle and index fingers to tap two strings at once: I come down on the strings fairly hard so they actually bounce off of the neck. That way I create some top-end click, but I retain the tonality. At the same time, I use my left hand to hold and/or move the octave. I can do it in walking form, single-note form, or whatever. The whole chorus of “Happy?” uses that technique."

In 2015, Martinie began playing with a jazz fusion / progressive rock trio Soften The Glare They recorded their first album Making Faces which was released on September 1, 2017.

Martinie was the guest bassist on a project created by guitarist and vocalist Scott Von Heldt named "Kurai". The drummer for the project was found in Abel Vallejo, the drum tech for Korn. The group released their debut EP, "Breaking The Broken" on the 17th of December, 2013.

Martinie utilizes many techniques to make the instrumental edge of the band even more rich. His bass playing is a key part of Mudvayne's sound. This is particularly emphasized on the song "A Key to Nothing" from The End of All Things to Come, which he played with a fretless bass. He does not use any effect pedals, preferring a clean, natural sound from his bass. He stated, "I like the natural approach to playing, and I'm not exactly – I'm not a purist, I mean, go for it. If you like synth bass, octave pedals and stuff, then utilize it. I'm not against any of that stuff, but I do like to find those things with my hands."

Martinie is known for pushing the envelope that most metal bassists limit themselves to. His right hand is one of the major reasons for this, as he pulls from many different techniques and genres. He is known for flicks (found throughout his music) and a flamenco style, notable on "Dull Boy" and the chorus of "Out To Pasture" in some way. On the chorus of "Out To Pasture", he does a "fast flamenco guitar-picking pattern that's as fast as my hand can possibly play. It's just this [extremely] fast pattern, and it's a sleeper, because it sounds like I'm playing single-notes almost, or chords, like I'm strumming chords, but really what's going on there is something completely different. It's the only thing you didn't mention, which makes me really proud, because it's supposed to be transparent, which is maybe one of the most important things that has come to me – in playing and in relating to the other instruments and in particular my band." He has a unique heavy fingering technique from which he gets the percussive tone and the sharper, more extreme attack from his bass. He also uses slapping and popping techniques on the most of the L.D. 50 album, most notably on the songs like "Dig". Martinie has developed his own tapping technique on the neck where he uses his index and middle fingers to tap an octave chord, usually high on the neck, while his left hand moves notes, doublestops or chords. This is very similar to a technique used by John Entwistle. On the album Mudvayne, he also plays complex bass parts in the intros of "Beautiful And Strange" and "I Can't Wait".

Martinie has a "not yet defined" side project that he intends to materialize, saying "People are going to have to see my ugly mug again whether you want to or not. For me this is a great time for me to woodshed and to gather my ideas. To spend a lot of time reading and exposing myself to lots of different types of thought. Fiction and non-fiction. I’m definitely not sitting here idle. There is a lot going on it’s just whether these things end up being Mudvayne things or other things I’m not going to worry about what ends up being what or where it goes". He said that his playing style will differ from that which was heard in Mudvayne. On 2 August 2012, Korn announced that Ryan Martinie will join them on their European tour that kicked off in Poland, as the band's bassist. Korn bassist Fieldy and his wife, were expecting a child.

In 1996, Mudvayne was formed. They initially had a different bass player, Shawn Barclay. In 1997, still with Shawn as their bass player, Mudvayne released their first EP, Kill, I Oughta. However, in 1998, after seeing Broken Altar live, Mudvayne asked Martinie to join their band. Although he was initially reluctant to part ways with Broken Altar, he joined Mudvayne upon realizing that they were serious about their band. Martinie became a cult bass player, receiving positive critical acclaim for his unique and technical style of playing, that "adds Mudvayne a whole new dimension".

Ryan Martinie (born August 6, 1975) is an American bassist. He is best known for being the bass player of Mudvayne. He was active with Mudvayne from 1996 until their indefinite hiatus in 2010.