Samuel E. Vázquez

In 2016, Vázquez was featured on the podcast Obsessed With Design, where he spoke about his artistic path from the New York City subways to gallery walls.

In 2013, Vázquez made a graffiti painting on the grounds of the Indianapolis Museum of Art (IMA). The invitation to paint at the museum was in conjunction with artist Ai Weiwei's According to What? exhibition at the IMA. Early in 2014, Vázquez was a guest panelist, at the Indianapolis Public Library Central Branch, for a screening of the documentary The Wrinkles of the City - La Havana, directed by artists JR and José Parlá.

Vázquez has also curated a number of art exhibitions, including 25 Above Water, (2005-2006, Marsh Gallery-Herron School of Art and Design, Indiana University, Indianapolis, Indiana), in support of the Hurricane Katrina and Hurricane Rita relief efforts, and In An Expression of the Inexpressible, (2009, Dean Johnson Gallery, Indianapolis, Indiana) an exhibition that explored the interaction between music and art. The exhibition's title was adapted from the song of the same title, In An Expression of the Inexpressible, (1998) with permission from the alternative rock band Blonde Redhead. The album cover for Black Devil Disco Club - Eight Oh Eight created by Non-Format in collaboration with Belgium artist Géraldine Georges was used as the exhibition's marketing image. Notable artists that have participated in Vázquez-curated exhibitions include Stefan Sagmeister, Non-Format, Karlssonwilker, Mike Mills, Hannah Waldron, Si Scott, Géraldine Georges, Mike Joyce/Stereotype Design NYC, Sara Haraigue, Yokoland, Jean Jullien, and Rick Valincenti/3st.

Samuel E. Vázquez, styled as Samuel E Vázquez (born Samuel Enrique Vázquez Rivas, 1970), was a participant of the New York City Subway graffiti art movement of the 1980s. Today, Vázquez works on abstract expressionist paintings.

Vázquez was born in San Juan, Puerto Rico, in 1970 to parents of African, Spanish, French, and Jewish descent. He learned to be disciplined from his father, who was in the military. His parents recognized his artistic inclination at the age of four and encouraged him to explore the arts. In 1979 the family moved to New York City where Samuel first became aware of the graffiti that covered the city's subways and walls. By 1983 Samuel began painting and writing the subways using the name "Brame." He is a member of numerous New York City graffiti crews. "He [Vázquez] was part of a generation that claimed their humanity by literally writing their own names on walls to keep from being dismissed." Vázquez was mentored by fellow graffiti artist Anthony "A-One" Clark, a collaborator of neo-expressionist painter Jean-Michel Basquiat. After the New York City subway graffiti era ended, Vázquez shifted his focus to furthering his education. He holds degrees from New York City College of Technology, part of the City University of New York (CUNY) system, and the Herron School of Art and Design, a division of Indiana University.