Sharon Olds

Stag's Leap was published in 2013. The poems were written in 1997, following the divorce from her husband of 29 years. The poems focus on her husband, and even sometimes his mistress. The collection won the T. S. Eliot Prize for Poetry. She is the first American woman to win this award. It also won the Pulitzer Prize for Poetry.

Olds was sent east to Dana Hall School, an all-girls school for grades 6 to 12 in Wellesley, Massachusetts, that boasts an impressive list of alumnae. There she studied mostly English, History, and Creative Writing. Her favorite poets included William Shakespeare, Emily Dickinson, Walt Whitman, and Edna St. Vincent Millay, but it was Allen Ginsberg's Howl and Other Poems that she carried in her purse through 10th grade.

The strict religious environment in which Olds was raised had certain rules of censorship and restriction. Olds was not permitted to go to the movies and the family did not own a television, but her reading was not censored. She liked fairy tales, and also read Nancy Drew and Life magazine. By nature "a pagan and a pantheist," she has said that in childhood she was exposed in her church to "both great literary art and bad literary art," with "the great art being psalms and the bad art being hymns. The four-beat was something that was just part of my consciousness from before I was born." Of her Calvinist childhood, she said in 2011 that though she was about 15 when she conceived of herself as an atheist, "I think it was only very recently that I can really tell that there's nobody there with a copybook making marks against your name."

In 2005, First Lady Laura Bush invited Olds to the National Book Festival in Washington, D.C. Olds declined the invitation and responded with an open letter published in The Nation. The editors suggested others follow her example. She concluded her letter by explaining: "So many Americans who had felt pride in our country now feel anguish and shame for the current regime of blood, wounds and fire. I thought of the clean linens at your table, the shining knives and the flames of the candles, and I could not stomach it."

Olds' book The Wellspring (1996), shares with her previous work the use of raw language and startling images to convey truths about domestic and political violence and family relationships. In a New York Times review, Lucy McDiarmid hailed her poetry for its vision: "like Whitman, Ms. Olds sings the body in celebration of a power stronger than political oppression." Alicia Ostriker noted Olds traces the "erotics of family love and pain." Ostriker continues: "In later collections, [Olds] writes of an abusive childhood, in which miserably married parents bully and punish and silence her. She writes, too, of her mother's apology "after 37 years," a moment when "The sky seemed to be splintering, like a window/someone is bursting into or out of." Olds' work is anthologized in over 100 collections, ranging from literary/poetry textbooks to special collections. Her poetry has been translated into seven languages for international publications. She has been published in Beloit Poetry Journal. She was the New York State Poet Laureate for 1998–2000.

The Dead and the Living was published in February 1984. This collection is divided into two sections: "Poems for the Dead" and "Poems for the Living." The first section begins with poems about global injustices. These injustices include the Armenian genocide during WWI, the 1921 Tulsa Race Riot, the reign of Mohammad Reza Shah Pahlavi, and even the death of Marilyn Monroe.

Olds eventually published her first collection, Satan Says, in 1980, at the age of 37. Satan Says sets up the sexual and bodily candour that would run through much of her work. In "The Sisters of Sexual Treasure" she writes, "As soon as my sister and I got out of our/ mother's house, all we wanted to/do was fuck, obliterate/her tiny sparrow body and narrow/grasshopper legs."

Olds did not participate in the Women's Movement at first, but she says, "My first child was born in 1969. In 1968 the Women's Movement in New York City—especially among a lot of women I knew—was very alive. I had these strong ambitions to enter the bourgeoisie if I could. I wasn't a radical at all. But I do remember understanding that I had never questioned that men had all the important jobs. And that was shocking—well, I was 20 years old! I'd never thought, "Oh, where's the woman bus driver?" So there's another subject—which was what it felt like to be a woman in the world."

On March 23, 1968, she married Dr. David Douglas Olds in New York City and, in 1969, gave birth to the first of their two children. In 1997, after 29 years of marriage, they divorced, and Olds moved to New Hampshire, though she commutes to New York three days a week. There, she lives in the same Upper West Side apartment she has lived in for the past 40 years while working as a Professor at New York University. In New Hampshire she lives in Graylag Cabins in Pittsfield. Her partner, Carl Wallman, is a former cattle breeder.

For her bachelor's degree Olds returned to California where she earned her BA at Stanford University in 1964. Following this, Olds once again moved cross country to New York, where she earned her Ph.D. in English in 1972 from Columbia University. She teaches creative writing at New York University. She wrote her doctoral dissertation on "Emerson's Prosody," because she appreciated the way he defied convention.

Sharon Olds (born November 12, 1942) is an American poet. Olds won the first San Francisco Poetry Center Award in 1980, the 1984 National Book Critics Circle Award, and the 2013 Pulitzer Prize in Poetry. She teaches creative writing at New York University and is a previous director of the Creative Writing Program at NYU.

Sharon Olds was born on November 19, 1942, in San Francisco, California, but was brought up in Berkeley, California, along with her siblings. She was raised as a "hellfire Calvinist," as she describes it. Her father, like his before him, was an alcoholic who was often abusive to his children. In Olds' writing she often refers to the time (or possibly even times) when her father tied her to a chair. Olds' mother was often either unable or too afraid to come to the aid of her children.