Sheldon Dick

Dick's film proved to be his most influential effort; it is cited in modern scholarship on the region's history, and his photographs of the miners and their families were displayed in a New York gallery to positive reviews. Film scholar William Alexander, documenting films of the American left wing, has said that Men and Dust is "affecting and powerful" through its "mind-jogging changes of stance." On December 18, 2013, the U.S. Librarian of Congress entered the film onto the National Film Registry, a list of American films the Librarian deems worthy of preservation in perpetuity.

In 1950 Dick was married to his third wife, Elizabeth Durand Dick. After working as a literary agent in the early 1940s, he was retired (though only 44) and living in Greens Farms, Westport, Connecticut. Early on the morning of May 12 of that year, Dick telephoned the police and said, "We have just killed ourselves. Send an officer right away." Both were dead of gunshot wounds to the head when the police arrived; both shootings were ascribed to Dick. The New York Times reported that, "Other than the 'temporary insanity' theory advanced by [the medical examiner], investigators were unable to establish a motive for the shooting."

Dick and Stewart collaborated on another film, Day after Day, released later in 1940. The film, written and photographed by Dick and with narration by Storrs Haynes, depicts the efforts of a community nursing service operated by the Henry Street Settlement in New York.

Dick worked relatively briefly for the FSA, in 1937 and 1938. He supported himself, submitting his photographs for payment of one dollar a year, but Stryker soon terminated his work anyway. In the 1965 interview, Stryker says, "I went through [his albums of prints] twice, the pictures were lousy, just plain lousy [. . .] It didn't work out. He tried two or three other things for us and it didn't work." During the period of his association, however, he travelled as widely and submitted as many photographs as the full-time employees. Because Dick was not a full-time employee of the FSA, his travels are not well documented, but they can be inferred from the photographs he took. Some of the greatest concentrations of surviving images come from a few documentable trips over the two years of Dick's work:

Dick was active as a publisher at the time, working with another minor publisher, C. Louis Rubsamen. Only one volume bore his name as an imprint: a book of poems, The Serpent in the Wilderness, by Edgar Lee Masters, published in a fine-press limited edition in 1933. It was large (8½ by 12 inches) and made with obvious attention to detail, but with some mistakes, the worst of which was the accidental binding of manuscript pages into some copies; the reception was mixed. A positive review in The New York Times describes the physical book as "an attractive piece of work." The book sold slowly, despite a brief spike caused by the Times review, and made no profit, and a trade edition, which Dick and Masters had discussed, never materialized, partly because Dick had indicated in promotional material that there would not be one. Masters biographer Herbert K. Russell blames the book's failure in part on Dick's "poor judgment."

Dick married Mary Lee Burgess in 1933; she would later assist in his documentary work. His first recorded activity as a photographer took place around this time, shortly after his failure in publishing; he took photographs for a book on Mexico, published in 1935. The book was not well-received, however, and a review states that "The group of photographs adds little to the volume."

The marriage was brief. Mrs. Dick filed for divorce in April 1932, and stated in her suit that the couple had been separated for a year. The divorce was concluded within a day, and she received custody of the child.

Roy Stryker, head of the Information Division of the Farm Security Administration, collected a large group of photographers in the mid-1930s, including well-known artists like Walker Evans and many who were far less experienced, with the goal of documenting the times and the nation itself. In a 1965 interview, Stryker remembers that Dick originally was introduced to him through his contacts in the publishing world:

Sheldon Dick was the son of Albert Blake Dick, a wealthy manufacturer of mimeograph machines in Chicago, and Mary Henrietta Dick. He married Dorothy Michelson, the 21-year-old daughter of scientist Albert Abraham Michelson, in 1927, shortly before Dick began studies at Corpus Christi College at Cambridge University. On returning to the United States, the couple lived in New York; their daughter, also named Dorothy, was born shortly thereafter.

Sheldon Dick (1906–1950) was an American publisher, literary agent, photographer, and filmmaker. He was a member of a wealthy and well-connected industrialist family, and was able to support himself while funding a series of literary and artistic endeavors. He published a book by poet Edgar Lee Masters, and made a documentary about mining that has been of interest to scholars. Dick is best known for the photographs he took on behalf of the Farm Security Administration during the Great Depression, and for the violent circumstances of his death.