Simone Simon

Had an affair with composer George Gershwin. It has been suggested by Gershwin scholars that "Love Walked In" was likely written with her in mind. Simone would state in a 1991 interview that "Above anything else in the relationship, Gershwin and I shared a common interest in music".

She made a second attempt at Hollywood, acting in William Dieterle's The Devil and Daniel Webster (1941) as Belle, the devil's handmaiden. The New York Times review of October 17 considered her 'completely out of key'.

Jean Renoir offered her the role of "Christine de la Chesnaye" in The Rules of the Game (1939), but she preferred to go back to Hollywood.

In 1936, Darryl F.

Zanuck signed her to a contract at 20th Century Fox on the strength of a picture she had made two years earlier, Allegret's Ladies Lake (1934). She was launched with an expensive publicity campaign which accentuated her continental allure, particularly, her 'sexy pout'. During her tenure, problems surfaced regarding her command of English and also her limited singing skills. Dissatisfied with the roles she was given, Simone returned to France and 'La Bete Humaine'.

Her film debut was in 1931 and she had her first major hit as Jean Gabin's co-star in La Bête Humaine (1938), directed by Jean Renoir. There were two halves to Simone's history in Hollywood.

Diminutive, fiery-tempered Simone Simon was born in France, but spent much of her early childhood in Madagascar, where her father managed a graphite mine. Her schooling was somewhat unsettled, her family moving from city to city (Berlin, Budapest, Turin) before finally establishing themselves in Paris in 1930. Simone started as a dress designer, fashion model and occasional performer in stage musicals. She eventually met the director Marc Allégret, who took her under his wing.