Stamenko Djurdjevic

He was an actor, known for Kroz buru i oganj (1929).

In 1924 in Belgrade he held an exhibition of his works, mostly portraits of prominent Serbian characters and personages. His works are familiar to connoisseurs of art such as the busts of Princess Ljubica, Nikola Pašić, Peter I, Karađorđe, and others.

He returned to Belgrade to convalesce in 1920, and later went off to Paris once again. He finally came back from his travels abroad in 1922. The same year, he took part in an exhibition with Momir Korunović,in which he displayed 34 of his works, mostly portraits and busts of prominent and well-known public figures. Subsequently, in 1924,he exhibited his work alone, and the third display of his work was in Belgrade in 1926, with the Export Bank team. A span of twelve years was to elapse before he next displayed his work, which was in 1938, at the collective Exhibition of Workers‘ Cultural Activities, with Bogdan Popović, Milan Kašanin, Sreten Stojanović, and Milica Đukić-Topalović wrote reviews about his work, some of which were favourable and other critical.

Stamenko Đurđević was also an author. He wrote poems, fairy tales, novels and dramatic plays. He published his first work in 1919. His published literary works include:

In 1918 shortly after the war ended, he received a Serbian state stipend and went back to Paris to resume his interrupted art studies. There he fell ill and travelled to Czechoslovakia for treatment.

In the period between 1914 and 1941, he produced three public monuments, two in Belgrade and one in Debrljin. Only his Monument to the Third Call-Upand the same monument by another name -- Third-line Conscripts -- found in Karađorđe Park is still standing,while his monuments to Princess Zorka and King Peter I were destroyed by Communists after World War II.

It was the sculptor Đorđe Jovanović who encouraged Stamenko to enroll at the Arts and Crafts School in Belgrade. By 1908, he already exhibited his work at a youth art exhibition, which was praised by critics. After a two- year study in Prague at the Royal Academy of Fine Arts under the tutelage of Professor Josef Drahoňovský from 1911-1913,he then left for Paris to enrol at the École nationale supérieure des Beaux-Arts in the class of Professor Antonin Mercié.His art training was interrupted in 1914 when he returned to Serbia to volunteer in the military. During which time he was captured and spent time in captivity.

Stamenko Djurdjevic was born in 1888 in Krnjevo, Serbia.