Age, Biography and Wiki
Stephen Jones was born on 16 September, 1962 in Telford, United Kingdom. Discover Stephen Jones's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?
Popular As |
N/A |
Occupation |
Musician, novelist |
Age |
62 years old |
Zodiac Sign |
Virgo |
Born |
16 September, 1962 |
Birthday |
16 September |
Birthplace |
Telford, Shropshire, England, United Kingdom |
Nationality |
United Kingdom |
We recommend you to check the complete list of Famous People born on 16 September.
He is a member of famous with the age 62 years old group.
Stephen Jones Height, Weight & Measurements
At 62 years old, Stephen Jones height not available right now. We will update Stephen Jones's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Stephen Jones Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Stephen Jones worth at the age of 62 years old? Stephen Jones’s income source is mostly from being a successful . He is from United Kingdom. We have estimated
Stephen Jones's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
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Stephen Jones Social Network
Timeline
The album Ugly Beautiful produced two more hit singles, "Candy Girl" and "Cornershop". Shortly after Ugly Beautiful, a fifth album of demos was released – Dying Happy.
In the following years, Jones returned to where he had started – releasing albums of demos (under his own name) to a small but appreciative audience. This time round he produced two albums of instrumental music designed to help him develop a career in film music. Stephen Jones 1985–2001 was released in 2001, and Plastic Tablets came out in 2003. Stephen created the soundtrack for the film Blessed in 2004.
In 2013, Jones released a new song with vocals entitled "The Great Sadness".
"I'll just say that I Was Born A Man is the only record I've heard this year with lyrics worth remembering and music that's impossible to forget, because I'd rather you listen to it than me talking about it." – Melody Maker
"...whatever ultra-naff low-fidelity keyboard tinklings he undertakes; he carries with him incredibly touching pieces like Dead Bird Sings that create, in the middle of this tank top of a record, an altogether different kind of sadness." – NME
"...unique, customised but never self-indulgent or irritatingly inaccessible. It's as off as it's beautiful, as rich as it's lo fi... imagine Ray Davies emerging, blinking and bearded, Howard Hughes like, after years in the darkness and you'll have some idea of the deeply, deeply English yet marvellously, utterly alien world of Baby Bird." – Melody Maker
"...a mixture of whimsy, egotism and madness with a good bit of talent stirred in...his puzzled world-view is unique. He fills the 20 tracks with strangenesses. Weirdly wonderful." – The Guardian
"Fatherhood is another unpredictable and magical journey through the thoughts of Stephen Jones, a man who is clearly in love with sweet melodies and the millions of ways you can fuck them up...you might find the whole experience as cigar-puffingly satisfying as becoming a dad." – The Independent
"...an oblique sadist of spectacular talent. The Happiest Man Alive has an entire central nervous system of its own. It's a Frankenstein's monster of an album, gruesome and miraculous, stitched together from what would appear to be fragments of a dozen different psyches lodged inside one head." – Melody Maker
"Halfway between songs and instrumentals, some of the tracks on Dying Happy just don't work at all, but some of them are riveting." – The Times
"The five albums in question form a song-cycle tracking the life-cycle from birth to death. The sheer wealth and diversity of music crammed into this tiny box makes it an absolute bargain." – The Independent
"The Original Lo-Fi should cement Baby Bird's reputation as one of the finest experimental pop artists of his time ... Written, performed, and produced as only Stephen Jones is capable of, the songs compiled on The Original Lo-Fi are easily among the finest musical confections of a generation." – AllMusic
"He was always an affecting songwriter as well as an extremely able band frontman, but it is these solo lo-fi tinkerings that really provide the keys to his soul. His latest LP is a delight, an effortless charmer on which the childlike sweetness of his voice perfectly serves 19 deceptively simple songs that together make a series of multi-textured gems." – The Times
"This vast collection of poignant, evocative instrumental work – like soundtracks for imaginary movies – reminds you why there was so much fuss about him." – Daily Telegraph
"Veering imperiously between maudlin monochrome and exuberant technicolor, he proves as adept with narrative and metaphor as he is with choruses and couplets." – The Times
"...maximalism at its most memorable and unnerving. Find it." – I-D Magazine
"Nightmarish and weird, but unsettlingly compelling" – BBC
In 2012, Stephen Jones announced the beginning of a new musical identity, Black Reindeer. The first Black Reindeer album, "Music for the Film That Never Got Made", was released on Bandcamp. Seven more albums of instrumental music followed through 2013.
Two more albums followed on Unison records: 2010's "Ex-Maniac", and 2011's "The Pleasures of Self Destruction". Sales were disappointing, and Unison declined to release further Babybird albums.
In 2008, Jones worked on a solo project entitled 'Death of the Neighbourhood' . The eponymous debut album, a 32 track 2-disc CD set was released on 10 November 2008 on ATIC Records. The album features "Cokeholes", which was released as a three track single on 27 October 2008.
In October 2005, a posting on the official Babybird website announced that the band had reformed. The subsequent album was called Between My Ears There Is Nothing But Music. Again, Babybird failed to achieve commercial success, and were dropped by the Echo label.
The 2000 album Bugged was well-received critically. However, sales were poor and the two singles from it, "The F-Word" (later the theme tune to a UK TV cookery show of the same name) and "Out of Sight" barely dented the charts. Babybird were dropped by their record label soon after. A third single from the album "Fireflies/Getaway" was released on Animal Noise records, but sold few copies. The band subsequently split.
Stephen Jones has produced two works of fiction, The Bad Book in 2000 and Harry and Ida Swop Teeth (also the title of a Babybird b-side) in 2003. He also collaborated with DED Associates, who have designed many of his CD covers, on a 2000 art book Travel Sickness.
Babybird returned in 1998 with There's Something Going On, preceded by a single, "Bad Old Man". The album was a modest success and was followed by further minor hits, "If You'll Be Mine" and "Back Together".
By the end of the year, a decent public following had been built up, as well as quite considerable excitement within the press and music industry. Babybird were signed to Echo Records (a division of the Chrysalis Group), and the first "proper" single, a full-band recording of "Goodnight", which had appeared in demo form on Fatherhood, was eventually released in the summer of 1996, becoming a minor chart hit in the UK.
The second single, "You're Gorgeous", reached number 3 in the UK singles chart in October 1996, and was also one of the biggest selling singles of the year, going on to chart around the world.
The first of these was I Was Born a Man, released in August 1995 and positively received by the NME.
During the second half of 1995, Jones toured under the name Babybird with Huw Chadbourne (keyboards), Robert Gregory (drums), John Pedder (bass) and Luke Scott (guitar). Two further collections of demos were released, Bad Shave and Fatherhood (a fourth album, The Happiest Man Alive was released in early 1996).
By 1994, Jones had written over 400 songs and gained a publishing contract with Chrysalis Music. However, he was unable to gain a recording contract, and formed a plan to self-finance the release of a series of albums featuring his home demos, limited to 1,000 copies of each, under the name Baby Bird.
"This isn't the best introduction to Stephen Jones. Nonetheless, '1985–2001' is another interesting dispatch from the no-frills renaissance man." – NME
After studying at Nottingham Trent University, Jones became involved with an experimental theatre company, Dogs in Honey, in Nottingham in the late 1980s, writing songs for productions.
Stephen Jones (born 16 September 1962) is an English musician and novelist.