Age, Biography and Wiki
Stephen Page was born on 1965. Discover Stephen Page's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 58 years old?
Popular As |
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Artistic director · dancer · choreographer · film director |
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58 years old |
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Born |
, 1965 |
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We recommend you to check the complete list of Famous People born on .
He is a member of famous with the age 58 years old group.
Stephen Page Height, Weight & Measurements
At 58 years old, Stephen Page height not available right now. We will update Stephen Page's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Stephen Page Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Stephen Page worth at the age of 58 years old? Stephen Page’s income source is mostly from being a successful . He is from . We have estimated
Stephen Page's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Stephen Page Social Network
Timeline
In 2016, the NAIDOC Awards Lifetime Achievement Award went to Stephen Page for his work as Director of Bangarra Dance Theatre. From February to August 2016, Martin Portus (former Director of Marketing and Communication at the Australia Council for the Arts) conducted a number of interviews with Australian choreographers, including Page. In the interview, Page discusses significant periods in the history of Bangarra, beginning with the nature of his access to traditional cultures, especially in North East Arnhem Land, and his works staging those stories as contemporary dance; his later darker works about urban dislocation and the contribution and death of his brother, dancer Russell Page; Stephen's choreographic signature and his works drawing on different stories, communities and design motifs from different parts of Australia and, finally, recent works that speak to stories drawn from both white and black historical experience.
In 2011, Page was honoured with the Services to Dance award at the Australian Dance Awards and received a Helpmann Award for Best Choreography for Fire, Bangarra's 20-year retrospective work. Bangarra received a further two Helpmann Awards - Best Ballet/Dance Work for Fire and Best Regional Touring Production for True Stories.
In 2009, after returning from a highly successful tour of True Stories to Germany, Hungary and Austria, Page and the dancers spent 10 days in Arnhem Land on a cultural exchange. He celebrated Bangarra's 20th Anniversary with Fire – A Retrospective (Winner, Outstanding Performance by a Company, 2010 Australian Dance Awards).
In 2008 Page was named NSW Australian of the Year, receiving the award from Deputy Premier John Watkins in a ceremony at the Art Gallery of NSW.
In 2008 he created for Bangarra a new, full-length work entitled Mathinna (Best Dance Work and Best Choreography, 2009 Helpmann Awards). He then took Rites with The Australian Ballet to London and Paris, and Bangarra's Awakenings to Washington, New York and Ottawa. Later in 2008 he set off for Broome, WA as Choreographer on the film adaptation of Bran Nue Dae.
In 2007 Stephen Page directed a spectacular traditional smoking ceremony in honour of the historic celebration marking the 75th anniversary of the Sydney Harbour Bridge. Later in the year, during Bangarra's True Stories season, he directed Victorian Opera's Orphée et Eurydice in Melbourne and presented another sell-out season of Kin at the Malthouse Theatre.
In 2006 Page and The Australian Ballet created Gathering, a double bill consisting of a reworked Rites and Amalgamate. Also in 2006, Queensland Art Gallery director asked him to create a new dance work for the opening of the Gallery of Modern Art. Along with his son and nephews, he created Kin, a special project that opened Asia-Pacific Triennial of Contemporary Art.
Page and Rings later co-choreographed Bush for Bangarra, which sold out on its Australian tour as well as its 2004 tour to the United States. Also in 2004 Bangarra returned to the Sydney Opera House with another sell-out production co-choreographed by Page and Rings, Clan. The following year Page choreographed Boomerang for a sell-out Australian tour.
As Artistic Director of the 2004 Adelaide Festival of the Arts, Stephen Page was praised for reinvigorating the event with an impressive and highly successful world-class program. His film and theatre credits include the contemporary operatic film Black River, numerous music video clips and directing his own brother David Page in the highly acclaimed one-man show Page 8, which toured the UK.
Page choreographed the flag handover ceremony for the 1996 Atlanta Olympic Games and co-directed segments of the ceremonies of the 2000 Sydney Olympic Games. He also created the ceremony that opened the Olympic Arts Festival. He also choreographed Skin, which premiered at the festival and won the coveted Helpmann Award for Best New Australian Work and Best Dance Work. His triple bill Corroboree toured internationally, in a sell-out tour of the US, with appearances at BAM in New York and Washington's Kennedy Centre. This work earned Page the Helpmann Award for Best Choreography. The following year, he was honoured with the Matilda Award for his contribution to the arts in Queensland and choreographed Totem for The Australian Ballet's principal dancer, Stephen Heathcote. 2002 also saw the world premiere of Bangarra's double bill Walkabout, which Page co-choreographed with Frances Rings.
Page danced with the Sydney Dance Company until 1991, when he was appointed Artistic Director of the Bangarra Dance Theatre. With his works Praying Mantis Dreaming, Ninni, and the seminal Ochres, in 1994 co-choreographed with then assistant artistic director Bernadette Walong-Sene, Page established a milestone for Australian dance. In 1996, he made his creative debut with The Australian Ballet, choreographing Alchemy. The following year, he brought The Australian Ballet and Bangarra together in Rites, to Igor Stravinsky's The Rite of Spring. The following year he choreographed Fish for Bangarra, with its world premiere taking place at the Edinburgh International Festival.
Page was educated at the Cavendish Road State High School, Brisbane. Cavendish Road State High School has named one of their school houses Page, in his honour. The house colour is purple. He studied dance at the National Aboriginal and Islander Skills Development Association (NAISDA), he graduated in 1983 and then danced with the Sydney Dance Company, in 1991 he choreographed Mooggrah for the Sydney Dance Company and Trackers of Oxyrhyncus for the Sydney Theatre Company and a sextet for Opera Australia's Marriage of Figaro. During this time he also toured with the NAISDA associated "Aboriginal Islander Dance Theatre".
Stephen George Page AO (born 1965) is the Artistic Director of the Bangarra Dance Theatre, an Indigenous Australian dance company. He is descended from the Nunukul people and the Munaldjali of the Yugambeh people from southeast Queensland, Australia. In 2015 his directorial debut film Spear was shown at the 2015 Toronto International Film Festival.