Age, Biography and Wiki
Tazeen Qayyum was born on 1973 in Karachi, Pakistan, is an artist. Discover Tazeen Qayyum's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 50 years old?
| Popular As |
N/A |
| Occupation |
Conceptual artist |
| Age |
50 years old |
| Zodiac Sign |
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| Born |
1973, 1973 |
| Birthday |
1973 |
| Birthplace |
Karachi, Pakistan |
| Nationality |
Pakistan |
We recommend you to check the complete list of Famous People born on 1973.
She is a member of famous artist with the age 50 years old group.
Tazeen Qayyum Height, Weight & Measurements
At 50 years old, Tazeen Qayyum height not available right now. We will update Tazeen Qayyum's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Tazeen Qayyum's Husband?
Her husband is Faisal Anwar
| Family |
| Parents |
Not Available |
| Husband |
Faisal Anwar |
| Sibling |
Not Available |
| Children |
Not Available |
Tazeen Qayyum Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Tazeen Qayyum worth at the age of 50 years old? Tazeen Qayyum’s income source is mostly from being a successful artist. She is from Pakistan. We have estimated
Tazeen Qayyum's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Tazeen Qayyum Social Network
| Instagram |
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Timeline
Qayyum's drawing based performances include Unvoiced held at the 1st Karachi Biennale, Pakistan in 2017, and 'We do not know who we are where we go’, which was part of the Mixer Project at The Royal Conservatory of Music, Toronto (2016). She has also directed performance work including Double Date in 2007 produced by SAVAC (South Asian Visual Arts Collective) at Lennox Contemporary Gallery, Toronto and AKA Gallery, Saskatoon, and A Feast in Exile held in 2009 and produced by VASL Artist's Collective.
As a response to the 9/11 attacks, Qayyum began using the cockroach as a metaphor to connote the loss of life in the subsequent wars connected to the attacks, as well as fear and misunderstanding of other cultures. While the cockroach first appeared as part of her miniature painting practice, it would evolve into sculpture and installation work including A Holding Pattern, a multi-media piece that was installed at Toronto's Pearson International Airport in 2013.
Akhter, Asim (2009). ‘Artificial Paradise,’ Discretion is Advised. Gandhara-art, (Karachi, Pakistan).
Qayyum's work has been shown in numerous group exhibitions. These include: Elusive Realities: recent works by Tazeen Qayyum and Sumaira Tazeen, Chawkandi Gallery, Karachi, Pakistan (2008) Art in Review: Farida Batool, Adeela Suleman and Tazeen Qayyum, Aicon Gallery (2009), Veiled: Andrew McPhail, Grace Ndiritu, Tazeen Qayyum, Textile Museum, Toronto (2012), and Beyond Measure: Domesticating Distance, The Robert McLaughlin Gallery, Oshawa, 2015 among others.
Sivanesan, Haema (2008). 'Stories for the Moment.' Urban Myths & Modern Fables. Doris McCarthy Gallery (Toronto, ON), SAVAC (Toronto, ON). ISBN 9780772754073
Hashmi, Salima and Dalmia, Yashodhara (2007). Memory, Metaphor, Mutations, Contemporary Art of India and Pakistan. Oxford University Press (New Delhi, India). ISBN 0195673476
Hashmi, Salima (2006). ‘Spinning Stories, The Art of Pakistani Women Miniaturists,' A Thousand and One Days: Pakistani Women Artists. Honolulu Academy Of Art (Honolulu, Hawaii). ISBN 978-0937426739
Malik, Murtaza (2003). Unveiling the Visible: Lives and Works of Women Artists of Pakistan. Actionaid (Pakistan). ISBN 978-9693513615
Qayyum's work has been shown internationally in solo exhibitions including Miniature Paintings, Gallery Jutner, AIR Program, Vienna, Austria (2000), The Human Dichotomy, Aicon Contemporary (2008), A Holding Pattern at Toronto's Pearson International Airport (2013), (IN) Surge (NT) at the Canvas Gallery, Karachi (2015), and Tazeen Qayyum: Descent at Canvas Gallery, Karachi (2018).
Along with her artistic practice, Qayyum has offered workshops in miniature painting. She co-founded Offset Portfolio Centre in 1997, a gallery and resource centre for artists in Pakistan.
Born in Karachi, Pakistan, in 1973, Tazeen Qayyum studied miniature painting at the National College of Art in Lahore, Pakistan, graduating in 1996 with a BFA.
