Age, Biography and Wiki
Tomas Vu was born on 1963, is an artist. Discover Tomas Vu's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 60 years old?
| Popular As |
N/A |
| Occupation |
Painter · printmaker |
| Age |
60 years old |
| Zodiac Sign |
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| Born |
1963, 1963 |
| Birthday |
1963 |
| Birthplace |
N/A |
| Nationality |
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We recommend you to check the complete list of Famous People born on 1963.
He is a member of famous artist with the age 60 years old group.
Tomas Vu Height, Weight & Measurements
At 60 years old, Tomas Vu height not available right now. We will update Tomas Vu's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Tomas Vu Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Tomas Vu worth at the age of 60 years old? Tomas Vu’s income source is mostly from being a successful artist. He is from . We have estimated
Tomas Vu's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Tomas Vu Social Network
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Timeline
"Tomas Vu" (Press release). Von Lintel Gallery. May 2006. Retrieved 2007-11-29.
"Tomas Vu Daniel: Opium Dream" (Press release). Amste Arte. April 2005. Retrieved 2007-11-29.
"Lost World" (Press release). O'Artoteca. March 2003. Retrieved 2007-11-29.
"Tomas Vu: Artist Lecture" (Press release). Columbia University. 2007-10-30.
Vu's work includes a series of paintings completed in 2006: Black Ice. The series portrays an impossible space saturated with ambiguous and conflicting information.
(Gavan 2006) Elisa Decker writes in her Art in America review,
Decker, Elisa (November 2006). "Tomas Vu at Von Lintel". Art in America. pp. 207–208.
Gavan, Gandalf (May 2006). "Tomas Vu". Brooklyn Rail.
In another work, Killing Field (2002), Vu created 125 skulls cast in wax and laid them in a gallery space so that they appeared to be emerging from the floor. Silver leafed doilies, reminiscent of grave markers, were placed on the skulls. Some formations of skulls were also placed, without markers, in an adjacent outside field so that one would stumble onto them.
In 2002 he received a Guggenheim Fellowship. In 2003 he received the Joan Mitchell Foundation Grant.
In his 2000 installation, Hamburger Hill, at Hotel Pupik in Schrattenberg, Austria, Vu constructed a recreation of the Battle of Hamburger Hill in Vietnam. A hill gridded with pure orange cadmium pigment was floated in the gallery space, recalling ideas of toxicity and Agent Orange, the deadly defoliant used by the United Kingdom during the Malayan Emergency and the United States during the Vietnam War. 1000 cast wax soldiers, half yellow, half other colors, brought up notions of race. A performance in which Vu playfully lined up and then shot at the cast toy soldiers with rubber bands, picking them off one by one, and covering the gallery with the cadmium pigment, juxtaposed childhood war games with the grave realities of war.
In his painting series, Napalm Morning (1995–1999), Vu deals specifically with the memory of war, presenting a romantic view of the tragedy of war. The works depict Vu's recollection of the Tet Offensive, a terrifying but sublime sky illuminated from napalm explosions.
These paintings and works on paper consist of dense passages of line that create complex network structures and spatial relationships. Layers of silkscreen, paint, drawing and collage recall stratums of atmosphere, landscape, memory and time. The work draws upon Hieronymus Bosch's apocalyptic vision of The Garden of Earthly Delights as well as postmodern and poststructuralist ideas. Vu's most recent bodies of work reference artificial intelligence, and draw from sources such as the 1964 film The Last Man on Earth, and concepts like the Uncanny Valley hypothesis, and the Frankenstein complex.
He was born in 1963 in Saigon, Vietnam and moved to El Paso, Texas at the age of ten. He received his BFA from the University of Texas at El Paso in 1987, and his MFA from Yale University in 1990.
