Age, Biography and Wiki

Toshiya Fujita was born on 16 January, 1932 in Pyongyang, North Korea. Discover Toshiya Fujita's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 65 years old?

Popular As N/A
Occupation N/A
Age 65 years old
Zodiac Sign Capricorn
Born 16 January, 1932
Birthday 16 January
Birthplace Pyongyang, Korea during the Japanese occupation
Date of death August 29, 1997,
Died Place Shinjuku, Tokyo, Japan
Nationality North Korea

We recommend you to check the complete list of Famous People born on 16 January. He is a member of famous with the age 65 years old group.

Toshiya Fujita Height, Weight & Measurements

At 65 years old, Toshiya Fujita height not available right now. We will update Toshiya Fujita's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Toshiya Fujita's Wife?

His wife is Miyoko Akaza

Family
Parents Not Available
Wife Miyoko Akaza
Sibling Not Available
Children Not Available

Toshiya Fujita Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Toshiya Fujita worth at the age of 65 years old? Toshiya Fujita’s income source is mostly from being a successful . He is from North Korea. We have estimated Toshiya Fujita's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

Toshiya Fujita Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Toshiya Fujita Wikipedia
Imdb

Timeline

1997

Fujita continued his acting career up to the time of his death in August 1997 at age 65.

1980

Fujita made only a few movies in the 1980s including the 1981 romantic drama Play It, Boogie-Woogie for Kadokawa Pictures. He returned to Nikkatsu for the 1983 film Double Bed about a disillusioned group of friends in their thirties and their illicit affairs. Fujita had also established himself as an actor with appearances in director Seijun Suzuki's 1980 film Zigeunerweisen and Juzo Itami's Tampopo (1985). In 1984 Fujita directed the crime thriller The Miracle of Joe Petrel and his last film as a director was Revolver, where a single gun connects the lives of several people.

1979

Toshiya Fujita was nominated twice for the Award of the Japanese Academy: in 1979 for Best Director and Best Screenplay for Kaerazaru hibi and 1981 as Best Supporting Actor for Zigeunerweisen. He also won the Readers' Choice Award given by Kinema Junpo in 1979 as Best Japanese Film Director for Kaerazaru hibi.

1971

Fujita's August 1971 film for Nikkatsu, Wet Sand in August, a melodramatic look at disenchanted youth in a beach setting, was both a popular hit and a major critical success. Three months later Nikkatsu inaugurated their Roman porno era of big budget softcore pink films. Fujita stayed on with Nikkatsu and his two sequels to Wet Sand in August, the 1972 Scent of Eros in August and the 1973 Sweet Smell of Eros were both produced as part of the Roman porno line. Fujita, however, was able to forge a compromise with the sex and nudity demands of the Roman porno genre to bring these films, especially Sweet Smell of Eros, close to mainstream acceptance.

1970

In the 1970s, Nikkatsu was still producing non-adult films as well as Roman porno and Fujita made a number of realistic dramas about youth and the generation gap including the 1973 Did the Red Bird Escape? (Akai tori nigeta) and two works from 1974, Virgin Blues and The Red Lantern, the latter film having been described as a young couple's "futile attempt to escape from a restrictive society." The two films for which Fujita is best known outside Japan, Lady Snowblood (1973) and its sequel Lady Snowblood 2: Love Song of Vengeance (1974), were produced by an independent company during a short hiatus from Nikkatsu. These violent action movies, quite different from Fujita's usual style, reunited him with Meiko Kaji, the star of his earlier Alleycat Rock films.

Fujita continued directing Roman porno films for Nikkatsu in the mid and late 1970s but the studio seldom interfered as long as the requisite nude scenes were provided and Fujita was able to produce works about relationships with a deft feel for characterization. He returned to his early roots in juvenile delinquent dramas with Female Delinquent: A Docu-Drama (1977) based on the autobiography of real life bad girl Mako Minato. His 1978 film Kaerazaru hibi told the story of a teenaged boy returning to his home town after the death of his father. In 1979 Fujita directed two films focusing on the problems of family life. So Soft, So Cunning, considered one of Fujita's best films, is "a somber look at family life in contemporary Japan", while Tenshi o yūwaku is a serious portrayal of the problems faced by a young couple (Momoe Yamaguchi and Tomokazu Miura) in the suburbs.

1955

Fujita was born in Pyongyang, Korea. After graduating from Tokyo University, he joined the Nikkatsu studio in 1955. At Nikkatsu, he worked as a publicist, screenwriter, cinematographer and assistant director until he made his debut as a director in 1967. His first film, about a juvenile delinquent, Hikō shōnen: Hinode no sakebi, won him the 1967 New Directors Award from the Directors Guild of Japan. After a successful sequel, Hikō shōnen: Wakamono no toride , Fujita was tapped by Nikkatsu to direct two installments in their youth-oriented Alleycat Rock series which had been initiated in 1970 by director Yasuharu Hasebe with Alleycat Rock: Female Boss. Fujita's two episodes, Stray Cat Rock: Wild Jumbo and Alleycat Rock: Crazy Riders '71, both starred actress Meiko Kaji.

1932

Toshiya Fujita (藤田 敏八 , Fujita Toshiya, January 16, 1932 – August 30, 1997) , also known as Shigeya Fujita (藤田繁矢 , Fujita Shigeya) , was a Japanese film director, film actor, and screenwriter. He is well-regarded in Japan for his youth films but is best known abroad for Lady Snowblood and Lady Snowblood 2: Love Song of Vengeance, films not typical of his usual style.