Age, Biography and Wiki
Tsin Ting was born on 1934 in Taiwan, is a singer. Discover Tsin Ting's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 88 years old?
| Popular As |
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| Occupation |
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| Age |
88 years old |
| Zodiac Sign |
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| Born |
1934, 1934 |
| Birthday |
1934 |
| Birthplace |
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| Date of death |
October 20, 2022 |
| Died Place |
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| Nationality |
Taiwan |
We recommend you to check the complete list of Famous People born on 1934.
She is a member of famous singer with the age 88 years old group.
Tsin Ting Height, Weight & Measurements
At 88 years old, Tsin Ting height not available right now. We will update Tsin Ting's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
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Not Available |
Tsin Ting Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Tsin Ting worth at the age of 88 years old? Tsin Ting’s income source is mostly from being a successful singer. She is from Taiwan. We have estimated
Tsin Ting's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
singer |
Tsin Ting Social Network
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Timeline
Tsin Ting (Chinese: 静婷; pinyin: Jìng Tíng; 1934 – 20 October 2022) was a Taiwanese singer and dubbing artist, sometimes known as the Marni Nixon of Hong Kong cinema.
Tsin Ting died on 20 October 2022, at the age of 88.
In 2000, Tsin Ting made a remarkable career resurgence with soldout concerts at the Hong Kong Coliseum with Liu Yun, Tsui Ping and Wu Yingyin; she repeated the feat two years later with Liu, Wu and Billie Tam. In 2006, she was the guest singer at a Donald Cheung concert singing a famous Bai Guang classic and then duetting with Donald. This is available on DVD.
During a recording session, director Li Han-hsiang (Li Hanxiang) heard her singing at the studio, dubbing a song for actress Yu Suqiu in the Shaw movie Lady in Distress (1957). Impressed with her voice, he had her dub for film star Lin Dai in his next film Diau Charn. The film was a great success all over Southeast Asia and won several Asian Film Festival awards. Thereafter, when Li went on to film The Kingdom and the Beauty, Tsin Ting was roped in to dub for Lin Dai once again.
In 1954, she auditioned for EMI Pathé when they were recruiting new talent but was told by composer Yao Min who auditioned her that her vocals lacked power and energy. She was offered instead, a part in the chorus. In 1956, she was signed on as a solo artist after Miriam Wang, the chief executive, took notice of her. Her first record was two songs from the Shaw & Sons film Narcissus, where she dubbed for actress Shih Ying. Her self-taught ability to read music was an added bonus as this saved valuable studio time. Film studios soon began using her to dub their musical films.
Tsin Ting dubbed many of Shaw Brothers' Huangmei Opera movies from the 1950s to the 1960s. The most notable was The Love Eterne (1963), where she sang for lead actress Betty Loh Ti (Lè Dì 樂蒂) in the role of Zhu Yingtai. The pathos and emotional impact of her singing, along with Loh Ti's excellent acting, moved viewers to tears. She left Shaw Studio as a contract singer in 1970 but continued recording albums on EMI in the 1970s, Wing Hung in the 1980s, and Polygram in the 1990s.
Tsin Ting was born in Sichuan, China. She arrived in Hong Kong in 1949 with her brother after China came under communist rule. Left to fend for herself after her brother left for Taiwan, she sang in nightclubs to earn some money. In 1953, she recorded a Cantonese song, "One Day When We Were Young", on one side of a 78 but refused to do the other after finding her command of the language not up to par.
