Vera Zorina

On the April 11, 2011 Oprah show, Shirley MacLaine spoke of buying Vera Zorina's last home, the residence in which Shirley now lives. She told Oprah that upon first visiting the home, not knowing who had lived there, she got a psychic impression that a dancer had died on the staircase, and the dancer now wanted Shirley to buy the home. Shirley was so moved by the impression that she bought the home without seeing all of the house. Only later did she learn the identity of the dancer.

Vera Zorina had two sons with Goddard Lieberson. Jonathan, a philosophy teacher, died in 1989, and Peter Lieberson has become a composer.

Appointed director of the Norwegian Opera in the 1970s.

Following her divorce from Ballanchine in 1946, she married Goddard Lieberson, president of Columiba Records and a social whirlwind ensued. The prominent couple went on to have two sons, Peter and Jonathan. In later years her lilting accent was used for narrations (in several different languages, including English, German and French) on several records and in tandem with numerous classical symphony orchestras and opera houses. She also directed a production of "Herod" for Norwegian TV. Vera was active with the Lincoln Center as an adviser and director and for several seasons directed operas at the Santa Fe Opera Company in New Mexico.

When the sudden surge of film offers began to wane after the releases of Follow the Boys (1944) with George Raft and Lover Come Back (1946) co-starring Lucille Ball and George Brent, she bade Hollywood a prompt goodbye.

She was cast as Maria in what could have been the beginning of a dramatic career in the Oscar-winning For Whom the Bell Tolls (1943), but was abruptly replaced after only two weeks of shooting by Ingrid Bergman, an action that proved detrimental to her movie career.

She impressed on Broadway with "I Married an Angel" and even more so in the 1940 musical "Louisiana Purchase" before returning to Hollywood once again to perform in the movie version of Louisiana Purchase (1941) opposite Bob Hope.

She followed her film debut successfully recreating her role in the movie version of On Your Toes (1939) and then played the role of a faux countess in the comedy crime caper I Was an Adventuress (1940).

The build-up was considerable and she made her official debut with the musical The Goldwyn Follies (1938). That same year she increased her visibility ten-fold by marrying noted choreographer/director George Balanchine.

Again, timing proved to be on Vera's side when she won a lead role in the London company of "On Your Toes" in 1937 and was spotted by movie mogul Samuel Goldwyn, who signed her to a movie contract.

A performance at London's Gaiety Theatre led to her entrance into the company of the Ballet Russe de Monte Carlo in 1933. She was encouraged to change her stage name to something Russian and exotic in style and she chose "Vera Zorina" for its authenticity and simplicity from a long list of names. She also learned Russian in the process to feel closer to her dancing compatriots. She stayed with the renowned ballet company for three years appearing everywhere from Covent Garden in London to the Metropolitan Opersa House in New York.

Practically born with ballet slippers on, the dark, lithe and exotic Vera Zorina had memorable careers with the Ballet Russe and, to a lesser degree, Hollywood. Born in Berlin, her father Fritz was German and mother Billie Hartwig Norwegian. She took to ballet at age 2 (she used to take them to bed with her) and by age 4 was performing. She received her education at the Lyceum for Girls in Berlin but was trained in dance by Olga Preobrajenska and Nicholas Legat, the latter teaching Anna Pavlova and Nijinsky at one time. The dancing prodigy was presented to Max Reinhardt at age 12 and he in turn cast her in his "A Midsummer Night's Dream" (1929) and "Tales of Hoffman" (1931).