Age, Biography and Wiki
Vicente de Espona was born on 24 March, 1918 in Brazil. Discover Vicente de Espona's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 105 years old?
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Age |
106 years old |
Zodiac Sign |
Aries |
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24 March, 1918 |
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24 March |
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Brazil |
We recommend you to check the complete list of Famous People born on 24 March.
He is a member of famous with the age 106 years old group.
Vicente de Espona Height, Weight & Measurements
At 106 years old, Vicente de Espona height not available right now. We will update Vicente de Espona's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Vicente de Espona Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Vicente de Espona worth at the age of 106 years old? Vicente de Espona’s income source is mostly from being a successful . He is from Brazil. We have estimated
Vicente de Espona's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
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Pending |
Salary in 2022 |
Under Review |
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Timeline
Another de Espona sculpture that stands in this locality is 'Return of the Olivar' which represents a family, with one family member riding on a donkey. It is much smaller than Síntesis and is located in the gardens of the famous palm grove of San Pedro de Alcántara, south of Marqués del Duero. It was also in a state of disrepair for some years, until 2008 when it was finally repaired and restored.
De Espona's sculpture Síntesis (synthesis, in English) measures 12 meters high and is located in San Pedro de Alcántara. Síntesis represents the patron saint San Pedro de Alcántara and was originally located in the plaza of the church. However, this work was transferred in the early 1990s to the edge of the main road, at the junction adjacent to the Mediterranean Avenue. In 2008 it was removed due to the danger it posed to highway workers, and it was moved to a dump where it was left abandoned for two years. However, in 2010 it was restored, repainted, repaired, and placed in the Teodoro García Díez roundabout next to Ronda Road and the industrial area of the city, welcoming visitors who come to San Pedro by the A357 road from Ronda and across northern Spain.
Between 1971 and 1995 de Espona worked in Marbella. Many of his works can be seen in the streets and squares of the city. The throne he made to Our Father Jesus entry into Jerusalem, a confraternity in Marbella, was made of wood and bronze. The sculptural mural Marbella sun, which for years was the facade, missing, House of Culture of Marbella. He also created the Andalusia Memorial, whose central obelisk stands 6 feet tall. Other works, although not as monumental as the previous ones, also had their place in the architecture for the municipality of Marbella, and goodbye to a friend, the work that decorated the facade of the Parish of Nueva Andalucía. De Espona also worked on the mural of the eight-meter façade of the Gimnasio Atenas, called Auto Modelación, which is six meters tall.
De Espona lived in São Paulo, Brazil, between 1957 and 1968. His work primarily consisted of paintings, sculptures, and engravings. De Espona conducted two annual art exhibitions in different cities, including Sorocaba, San Jose Dos Campos, Limeira, Araracuara, Riberón Preto, Uberaba, Uberlandia, Goiania, Belo Horizonte, Caldas, Rio de Janeiro, Niteroi, Juiz de Fora, and Porto Alegre. De Espona's art studio in the city was later opened to the public.
Vicente de Espona (March 24, 1918 - October 23, 1995) was a Spanish painter and sculptor. He was born in Valencia but completed the majority of his work in Marbella. Prior to his career as an artist, de Espona worked as a consulting lawyer at the Banco Popular Español in Barcelona. In 1950, he requested a leave of absence from the bank to move to Brazil, where he dedicated his life to artistic pursuits.