Age, Biography and Wiki

Victor Spinski was born on 10 October, 1940 in Poland, is an artist. Discover Victor Spinski's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 73 years old?

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Occupation Sculptor Ceramacist
Age 73 years old
Zodiac Sign Libra
Born 10 October, 1940
Birthday 10 October
Birthplace Poland
Date of death (2013-01-21) Newark, Delaware, United States
Died Place Newark, Delaware, United States
Nationality Poland

We recommend you to check the complete list of Famous People born on 10 October. He is a member of famous artist with the age 73 years old group.

Victor Spinski Height, Weight & Measurements

At 73 years old, Victor Spinski height not available right now. We will update Victor Spinski's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Victor Spinski Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Victor Spinski worth at the age of 73 years old? Victor Spinski’s income source is mostly from being a successful artist. He is from Poland. We have estimated Victor Spinski's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

2013

Spinski died on January 21, 2013, after suffering a stroke.

1995

Throughout the rest of his career, Spinski focused on his Trompe l'oeil work. He continued to mix wry visual humor--such as a 1995 sculpture entitled Misdirected Forward Pass in the Museum of Fine Arts, Houston that depicts a wayward football that has landed in a bowl of roasted peanuts, with more subtle compositions made up of trompe l'oeil rusted tools and cardboard.

1980

From the beginning, Spinski chose objects that reflected his blue collar upbringing. His early trompe l'oiel sculptures contain lipstick-imprinted diner mugs and other common household objects. Spinski was pleased with the juxtaposition of his everyday subjects and the amount of attention and care that it took to bring them to life. This dichotomy became even more pronounced in the early 1980s when Spinski began to create sculptures of actual garbage. A 1981 piece, now in the collection of the MFA Houston entitled Still Life with Banana shows an utterly convincing half-peeled banana on a cutting board complete with a silver lustered knife. Another 1981 piece in the MFA Houston's collection shows a cardboard Jack Daniel's box. In contrast to Andy Warhol's vibrant Brillo Boxes, Spinski's weathered cardboard box appears creased and stained.

1979

1979: A Century of Ceramics in the United States, Everson Museum of Art, Syracuse, New York

1976

1976: Soup Tureens, The Campbell Museum, Camden, New Jersey

1973

1973: The Plastic Earth, John Michael Kohler Arts Center, Sheboygan, Wisconsin

1972

1972: Victor Spinski, Tyler School of Art Gallery at Temple University, Philadelphia, Pennsylvania

1971

Spinski first came to national prominence when he was featured in the landmark 1971 exhibition Clayworks: 20 Americans at the Museum of Contemporary Crafts (now the Museum of Arts and Design) in New York City. Clayworks established Spinski as a peer of other ceramic innovators featured in the exhibition, which included Robert Arneson, Patti Warashina, Jack Earl, David Gilhooly, Marilyn Levine, Richard Shaw, and Clayton Bailey. Bailey, in particular, became a lifelong friend and collaborator. Initially, Spinski's work centered around the creation of imagined machines and technical equipment that were created in sections on the potter's wheel, then assembled into sculptures that could measure in excess of four feet in height.

1971: Clayworks: 20 Americans, The Museum of Contemporary Crafts, New York, New York

1970

Starting in the late 1970s, Spinski made a series of fountains that became more elaborate over time. The series culminated in a life-sized depiction of a Volkswagen Beetle crashing through a brick wall. The VW Fountain was exhibited and sold in 1982 at the Theo Portnoy Gallery in New York City. Spinski also exhibited extensively with the Elaine Horwitch Galleries and Loveed Fine Art. Spinski's work also traveled extensively from 1978 through 1982 in the exhibition A Century of Ceramics in the United States, curated by Garth Clark and Margie Hughto for the Everson Museum of Art. In 1980, Spinski's series of trompe l'oeil ceramic garbage cans were singled out by critic Edward Lucie-Smith in his book Art in the Seventies. Lucie-Smith wrote that.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}

1969

1969: Victor Spinski, The Parrish Art Museum, Southampton, New York

1968

1968: 25th Ceramic National Exhibition, Everson Museum of Art, Syracuse, New York

1963

Spinksi earned a B.S.E. in Art and Foreign Languages from Kansas State Teachers College in Emporia, Kansas in 1963. After graduation, Spinski enlisted in the United States Marine Corps and served in Vietnam as an ordinance expert. In Vietnam, Spinski sustained a serious combat injury that led to months of rehabilitation. Following his discharge from the Marines, Spinski enrolled in graduate school at Indiana University, where he studied ceramics under well-known functional potter Karl Martz and received an M.F.A. degree with minors in Jewelry and Photography in 1967.

1940

Victor Spinski (October 10, 1940 – January 21, 2013) was an American artist and professor best known for his ceramic works in the trompe l'oeil (French for "fool the eye") style.