Vince Clarke

Since 2017, Vince has hosted "The Synthesizer Show" on Maker Park Radio (a Non-Profit Community Streaming Radio Station from Staten Island, NY). The first episode aired Dec 20, 2017.

On 14 July 2015, Vince announced a collaboration with Jean Michel Jarre called "Automatic", which was released as a part of the full album Electronica 1: The Time Machine on 16 October 2015.

The Erasure Christmas album Snow Globe was released on 11 November 2013. A new collection of material was released on 22 September 2014 named The Violet Flame, featuring production by Richard X.

In 2013, Vince worked with Andy Bell on a new Erasure Christmas LP which was released in November 2013. There is also a rumour that a collection of original materials will also be ready by mid-2014. Vince Clarke is currently doing DJ sets in various locations in North America and Europe and has also continued his production work of remixing songs for Dido and Chad Valley. Clarke is holding a competition online for synth guring, which is composed of making synth-like noises with your mouth, registration ends at the end of August 2013, judging shortly thereafter.

In October 2013, Vince announced on his Twitter page that he was providing assistance to musicians BT and Christian Burns for their All Hail the Silence project.

In December 2013, Clarke listed his "13 LPs that mean the most to him" for The Quietus:

"... CV and Gate is tighter. I can hear and feel that it's tighter than MIDI – we can even prove it using 'scopes. Because everything is clocked simply, it arrives bang on the beat. The whole production starts to 'tick over'. Just look at Kraftwerk's stuff. I think that 'feel' has been lost with MIDI sequencers. No matter what you do with MIDI, the music will never sound as good as it did in the good old Futurist days. That's why our tracks sound the way they do."

"... the secret is having a good patch system – not as in patching to the mixing desk, but in patching CV and Gate. Because we don't use MIDI at all, you have to run three or four cables between each synth module – CV, Gate, Filter, Amplitude or whatever – and you've got to have a really unique system to do that."

"Andy [Bell] and I get together with a guitar and a tape recorder, I'll strum some chords, he'll sing a melody, and we work in little sections, four or eight bars long. Then we'll try stringing the sections together. It's like a jigsaw puzzle. I find it very hard to relate songwriting to synthesisers, actually – we write songs in a very traditional way. The electronic side of things is just to create the atmosphere. It's mostly just messing about..! "Once we've worked out a song, I start programming up the arrangement on the BBC UMI sequencer, which lets me run 16 synths simultaneously. That way you get a better idea if parts are working together or not. Then we start refining the individual sounds. And finally the whole lot is transferred to my Roland MC4, piece by piece, so it's being run in CV and Gate. Once we've got that, it's a case of Andy sketching out vocal ideas – in the studio we use two 48 track digital tape machines, which gives Dinger 24 tracks just for his voice!"

"Nowadays, you can take the best bits from digital and analogue. On certain projects – say, if I'm doing library music – where you need to have instant recall all the time, then it's obviously much more convenient to use the computer. When it comes to writing a new song, though, I still like to have the old analogue gear there, too. But, a lot of soft synths have a character of their own, too; the Moog Modular V is just crazy! "I think that analogue has an inherent sound to it – it's like the old argument over vinyl versus CD. It seems that you hear more frequencies coming from an analogue synth than you do from a software synth, but the great thing about the latter is that you can do far more complex modulation, both within the synth itself and on the keyboard. To emulate any of those really complex modulations on an analogue ... well, you'd need a mile of cable."

Clarke collaborated with his former Depeche Mode colleague Martin Gore for the first time since 1981 as techno duo VCMG on an instrumental minimalist electronic dance album called Ssss, released on 12 March 2012. The first EP entitled Spock was released worldwide exclusively on Beatport on 30 November 2011. The second EP Single Blip was once again first released exclusively on Beatport on 20 February 2012. Their third EP Aftermaths was released on 20 August 2012.

In 2012, Vince collaborated with the band The Good Natured on a track called "Ghost Train", available as a free download on their website, in exchange for a Tweet.

Also in 2012, Vince produced a cover of the Depeche Mode song "Fly on the Windscreen" featuring Ane Brun.

The Erasure album, Tomorrow's World, was released on 3 October 2011, featuring production by Frankmusik. The album was done in two locations, Vince in his Cabin Studio in Maine composing the music and vocal arrangement, and production done by Andy in Los Angeles. The album featured three singles; When I Start To Break It All Down, Be With You, and Fill Us With Fire. A very limited edition of Tomorrow's World box sets were issued through the EIS and gathered a bunch of remixes, demos, and videos of this project.

On 21 May 2009, Clarke was awarded by an "Outstanding Song Collection" prize, during the Ivor Novello Awards ceremony of the same day, in recognition of 30 years in the music industry.

As of 2009, Clarke has installed his analogue synthesisers alongside his Logic Pro-based workstation in a custom-built commercial studio called "The Cabin" in Maine.

On 26 January 2007, in a video message on the official Erasure website, the band announced the release of their sixteenth (thirteenth studio) album, entitled Light at the End of the World. Released in the UK on 21 May 2007, with a US release the following day, it was preceded by the single "I Could Fall in Love with You", released on 2 April 2007. The second single, "Sunday Girl" was subsequently released.

Erasure went on to tour with Cyndi Lauper, Deborah Harry, Margaret Cho, and other artists, for the 2007 True Colors Tour of the United States, a tour which benefited gay, lesbian, bisexual, and transgender freedoms and rights. Erasure then went out on their own, headlining the "Light at the End of the World" tour in Europe and North America.

The band released a new EP, Storm Chaser, in September 2007. The EP contains nine tracks, one of them the winner of an online fan remix contest, for the track "When a Lover Leaves You", from the Light at the End of the World album.

The band has released 16 albums to date and has enjoyed a long string of hit singles spanning their three decades together, most recently topped-off by the 2005 top five hit "Breathe" taken from their Nightbird album. In 2006, Erasure produced a country-western style acoustic album consisting of mostly non-single cuts from their previous albums. This album, Union Street was preceded by the single "Boy" originally included on their 1997 Cowboy album.

The album was produced by Gareth Jones and was a more "dance orientated" effort than some of their more recent work with Clarke making reference to the new material sounding potentially a bit more like Andy Bell's 2005 solo effort Electric Blue.

In 2004, Clarke provided additional music for an episode of Johnny Bravo entitled "The Time of My Life". This was a collaboration with Richard Butler.

In 2004 Clarke moved to Maine, USA. While waiting for his studio equipment to be shipped from the UK, he began using an Apple Mac laptop with Logic Pro, Max/MSP, and various software synthesisers (many of which were analogue emulations). Since then, he has continued to use Logic Pro, along with both software and analogue synthesisers:

Clarke has been married to Tracy Hurley since 2004. They have a son named Oscar and live together in the United States, in Brooklyn, New York, and have another home in Maine. Tracy Hurley is co-founder of the Morbid Anatomy Museum (now closed) in Brooklyn. Her twin sister, the American author Tonya Hurley, is married to Michael Pagnotta, the former manager of Erasure. In 2012, Clarke and his family moved into a new house in Brooklyn, where he also relocated his Cabin studio and synthesizer collection to.

Also in 2001, Clarke founded Illustrious Co. Ltd. with Martyn Ware, to create new forms of spatialised sound composition using their unique 3D AudioScape system, collaborating with fine artists, educational establishments, the performing arts, live events, corporate clients, and educational settings round the world.

Clarke was an essential component of a 2000 project called Family Fantastic. They produced the album Nice!. In 2008 Family Fantastic released a second album, entitled Wonderful.

Clarke worked with synthpop producer Martyn Ware (of Heaven 17 and The Human League) in 1999 as "The Clarke & Ware Experiment" and released the album Pretentious. The duo collaborated again in 2001 for the album Spectrum Pursuit Vehicle, which was created with "3D music technology" specifically designed for listening in headphones. 2001 also saw the release of the Clarke-produced album Erasure's Vince Clarke which featured The Peter Pan Effect, an album that he and Eric Radcliffe produced for his long-time friend, Robert Marlow. Clarke wrote "Let's Get Together" for the pop girl group Girl Authority for their second album, Road Trip. The song was originally meant to be for Depeche Mode, but was never recorded by them. Clarke also co-wrote "What Do I Want From You?" with Freeform Five, for their album Strangest Things (2005).

Clarke continued to expand his collection of analogue synthesisers and in 1994 set up "37B", a recording studio built adjacent to his custom-made home, "Ammonite", in Chertsey, Surrey. From 1994 to 2003, all Erasure albums were either wholly or in part recorded at "37B".

In 1993 Clarke described his approach to songwriting:

For the Chorus album in 1991, he gathered together his collection of analogue synthesisers from various recording studio locations in London and set up a small studio in Amsterdam. This led Clarke to assemble an intricate patch system to more easily enable the control of his analogue instruments:

In early 1985, Clarke put an ad in Melody Maker for a singer, and one applicant was Andy Bell, who was a fan of his earlier projects. He teamed with Bell to form the group Erasure, and the duo became one of the major selling acts in British music with international hits like "Oh L'amour", "Sometimes", "Chains of Love", "A Little Respect", "Drama!", "Blue Savannah", "Chorus", "Love to Hate You", "Take a Chance on Me", and "Always".

In July 1984, Clarke teamed up with Stephen Luscombe of Blancmange, Pandit Dinesh, and Asha Bhosle. The group, West India Company, released a four track, self-titled EP.

Yazoo disbanded in 1983, and Moyet went on to have a successful solo career. Yazoo reformed in 2008 for a series of live dates to celebrate 25 years since the duo's split.

In 1983, Clarke teamed up with Eric Radcliffe, and it was their idea to collaborate as one-off associations with different artists on each new single, under the name The Assembly; notably with singer Feargal Sharkey they scored the Top 5 hit "Never Never". Meanwhile, he founded the label Reset Records with Eric Radcliffe. During 1983 and further on in 1984, he produced four singles "The Face of Dorian Gray", "I Just Want to Dance", "Claudette", and "Calling All Destroyers" for his friend Robert Marlow, which were released on this label. They also produced an album, which was shelved but was released much later in 1999 under the name The Peter Pan Effect. In 1985, another collaboration took place with Paul Quinn of Bourgie Bourgie, the result was the single "One Day" by Vince Clarke & Paul Quinn. However, the project never took off, and Clarke moved on to other projects.

When Clarke started using synthesisers, they were predominantly analogue (digital synthesisers were rare, and would remain that way until the launch of the Yamaha DX7 in 1983). In order to connect analogue synthesisers, analogue drum machines, and analogue sequencers together, multiple CV/Gate cables were required between each device. This system was not standardised, so inter-operability between instruments from different manufacturers was not always straightforward. In addition, some manufacturers used their own proprietary interfaces. When an industry-wide standard called MIDI (Musical Instrument Digital Interface) was introduced in 1983, Clarke, like most other electronic musicians, gradually migrated to the new technology. However, he continued to prefer his older analogue instruments:

In the late-1970s, Clarke and schoolmate Andy Fletcher formed a short-lived band called No Romance in China. In 1980, he teamed up with Robert Marlow and Martin Gore to form French Look. Another band, named Composition of Sound, followed in 1980 with another addition of Martin Gore and Andy Fletcher. Clarke provided vocals until singer Dave Gahan joined the band, which was renamed Depeche Mode. At that time, he adopted the stage name Vince Clarke, by which he is currently known. The band initially adopted a slick synthesised electropop sound, which produced the album Speak & Spell and the Clarke-penned singles "Dreaming of Me", "New Life", and "Just Can't Get Enough" in 1981.

Vince Clarke (born Vincent John Martin; 3 July 1960) is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter of several groups, including Depeche Mode, Yazoo, and the Assembly. In Erasure, he is well known for his deadpan and low key demeanour onstage often remaining motionless over his keyboard in sharp contrast to Andy Bell's animated and hyperactive frontman antics. Erasure have penned over 200 songs and have sold over 25 million albums worldwide. Vince Clarke will be inducted into the Rock and Roll Hall of Fame in 2020 as a member of Depeche Mode.