Visakha Wijeyeratne

As an artist, her impressionistic style was greatly appreciated in Paris, where she exhibited on three occasions during her four years as the Sri Lankan ambassador’s wife. Her paintings were bought by dignitaries in Paris and the diplomatic circle of the early 1970s. Buyers included US Under-Secretary of State, John N. Irwin II, German Chancellor Helmut Schmidt, Chilean Nobel laureate Pablo Neruda, Indonesia First Lady, Devi Sukarno, and British Liberal party leader, Jeremy Thorpe, to name a few.

In 1967 she moved to St. Gallen, a city on the German side of Switzerland. Working and living alone, she trained in hand embroidery, and later headed the department at Schleifer’s, an acclaimed embroidery establishment founded in 1865. When she returned to Sri Lanka, she started a cottage industry to revive ancient Sinhala embroidery techniques, with Ananda Coomaraswamy’s “Medieval Sinhalese Art” as her primary source of inspiration. Her repertoire was in portraits and paintings of infants. In 1974, she discovered that the Sri Lankan art market did not appreciate her painting style, using heavy brushstrokes. She was forced to convert to a more realistic style, a transition she loathed. Her later landscapes and portraits had lost the effect of the heavy brushstrokes. In later years she developed a skill in water colour paintings of scenery and orchid flowers. Her skills lay in painting, sculpture, ceramic art, embroidery, writing, poetry and limerick composition. She taught hand embroidery to students and held language lessons in German, French, Russian and Sinhala.

Visakha Wijeyeratne (Sinhala: විශාකා විජයරත්න, née Bulankulame) (17 March 1935 – 13 April 1999) was a Sri Lankan artist, painter, sculptor, writer and social worker. Her husband, Tissa Wijeyeratne, was a politician, diplomat, barrister and businessman.

Visakha Wijeyerate was famous for one of the finest reproductions of the 1815 portrait of Rangamma, main consort of Kandy’s last king, Sri Wickreme Rajasinghe. Her other notable reproductions were of Fragonard’s “Inspiration”; Carlo Dolci’s “St. Cecilia”and Da Vinci’s “Mona Lisa". In 1981, at her peak, she was commissioned to do the portrait of President J.R Jayawardene. Her most notable international exposure was in 1987 when she exhibited, along with 56 Commonwealth artists, at The Bhownagree Gallery of the Commonwealth Institute in Kensington, London.