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William C. Mellor was an American cinematographer who worked on over 100 films and television shows during his career. He was born on June 29, 1903 in Missouri. Mellor began his career in the 1920s, working as a camera assistant on silent films. He eventually became a cinematographer, working on films such as The Big Sleep (1946), The Asphalt Jungle (1950), and The War of the Worlds (1953). He also worked on television shows such as The Twilight Zone (1959-1964) and The Outer Limits (1963-1965). Mellor was nominated for an Academy Award for Best Cinematography for his work on The War of the Worlds. He was also nominated for an Emmy Award for his work on The Twilight Zone. Mellor died on April 28, 1966 in Los Angeles, California. He was 62 years old.

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Occupation cinematographer,camera_department,assistant_director
Age 60 years old
Zodiac Sign Cancer
Born 29 June, 1903
Birthday 29 June
Birthplace United States
Date of death April 30, 1963
Died Place United States
Nationality United States

We recommend you to check the complete list of Famous People born on 29 June. He is a member of famous Cinematographer with the age 60 years old group.

William C. Mellor Height, Weight & Measurements

At 60 years old, William C. Mellor height not available right now. We will update William C. Mellor's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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William C. Mellor Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is William C. Mellor worth at the age of 60 years old? William C. Mellor’s income source is mostly from being a successful Cinematographer. He is from United States. We have estimated William C. Mellor's net worth , money, salary, income, and assets.

The Adventures of Ozzie and Harriet (1952)$1,000 /week

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Timeline

1965

Died of a heart attack during the production of The Greatest Story Ever Told (1965).

1956

In the same vein, the Stevens-directed Giant (1956), with its sweeping vistas, and the lush, warm look of Peyton Place (1957), offer nothing like the suitably harsh, barren desert visuals of Bad Day at Black Rock (1955), shot in widescreen Panavision.

1951

Wellman's austere black & white pioneering saga Westward the Women (1951), and Anthony Mann's powerful revenge western The Naked Spur (1953).

In stark contrast, Mellor (working again with George Stevens), also shot the black & white melodrama A Place in the Sun (1951) (with John F. Seitz), using diffuse lighting and soft focus lenses.

The romantic look of the film with its lingering close-ups, contributed to the New York Times (August 29, 1951) reviewing the picture as "a work of beauty, tenderness, power and insight".

1946

After the war, Mellor found regular work with most of the major studios: United Artists (1946, 1948-49), Universal (1947-48), MGM (1950-54) and 20th Century Fox (1957-62). He acquired a solid reputation for versatility across every genre of filmmaking. He excelled at outdoor and location photography, best exemplified by William A.

1943

Mellor left Paramount in 1943, to join the U. S. Army Photographic Unit, shooting documentary wartime footage under the aegis of director George Stevens.

1934

Mellor began his career in the photographic labs at Paramount in the mid-20's. By 1934, he had graduated to full-time director of photography, working primarily on the studio's lesser productions. At the same time, he continued to serve his apprenticeship by assisting veteran cinematographer Victor Milner as first camera operator on A-grade features.

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