Wolfgang Weber (journalist)

After producing more than 900 reports in 40 years with about 3.000 published photos, he started in the 60th a new career with reports for television until the 80th. He was one of the very few journalist, who were allowed to film in China before, during and after Maos Cultural Revolution. He was the only, who documented the development of the Cabora Bassa dam over 10 years with all its sozial and political aspects and problems. As a freelance journalist, he had access to many well-known personalities of the time. And he made portraits of interesting statesmen often in the near and middle east, like Ben Gurion and Yassar Arafat.

Although he had wife and two daughters in Cologne, he was traveling almost every day of his life. After his dead 1985 in Cologne nearly all his works with about 200,000 negatives, films and prints were sold to the Folkwang Museum in Essen. An exhibition of his life and works was held in this museum in 2004.

In 1928 his first book was published by Albertus Verlag in Berlin with more than 200 photographs for a portrait of Barcelona. In 1931 the Berliner Illustrierte Zeitung published the impressive sozial report “Dorf ohne Arbeit” (village without work) on the situation of German unemployed people in 1933 “The trial that the world is listening to” about the trial against van der Lubbe after the Reichstag fire, and in 1936 “The Olympic Stadium is filling up". But mainly he traveled around the world to Africa, Asia and the Middle East, and in 1943 and 1944 he documented the situation in various European countries. After World War II he was "the leading photo-journalist to have stayed in Germany" and became chief reporter of the Neue Illustrierte, at that time the leading German illustrated magazine. As one of the first German photojournalists he could work 1949 also in the USA. One of his outstanding reports was a comparison of everyday life in New York and Moscow photographed in the same week

Erich von Hornborstel, professor at the Phonetic Institute of the Humboldt University in Berlin, appointed Weber as an assistant and sent him on a music-ethnographic research trip to East Africa to the tribe of the Wadjaggas on Kilimanjaro. In addition to the elaborate sound recording devices that work with wax rolls, with which he recorded the tribal songs, he also worked with a stereo camera. He published the photographic recordings in the Münchner Illustrierte Zeitung (MIZ) in 1925. This was the beginning of his career as a photojournalist.

Alongside Felix H. Man, Erich Salomon, Martin Munkácsi and Alfred Eisenstaedt, Wolfgang Weber is considered a pioneer of modern photojournalism, as it was established in Germany around 1920. His subject area included reports on the social, political and economic situation at home and abroad, to the publication of which he also contributed the texts and the layout. From the first beginning, Weber was always looking for something unusual, foreign, strange ore new. In his pictures he always found the point, that expressed the theme best, so that no text was needed to understand the importance and feel the atmosphere. Often he used sequences to develop a story in pictures.

Wolfgang Weber (17 June 1902 – 4 March 1985) was a German photojournalist and film producer.