Won Il

5. Spirituality. The intrinsic dimension and essential characteristic to be experienced as the ultimate value of his music is that he leads the spiritual experience of the subject through 'doing music'. When this is done jointly in the music field, it creates a magnetic field of greater influence, and this is the 'phenomena' to be observed in the 'Sinawi' project he has been trying to realize. This phenomenon created a multiplicity and atypical melody flow called Sinawi, which began with musical “live songs in the field”, and songs played in shamanism or at the theater. This is an attempt. Shortly after he was newly appointed as the artistic director of Gyeonggi Provincial Orchestra Orchestra under the Seoul Arts Center in 2020, the name of the representative orchestra of Gyeonggi-do, which is 25 years old, has been renamed as 'Gyeonggi Sinawi Orchestra'. Expression.

4. Openness. He has been pursuing the 'open structure' of the performance, which is the biggest characteristic of Korean traditional music. It appears narrowly in the musical structure or stage operation of the work, and broadly in his activities and histories. From the fusion music activities of 'Puri' to professional management for European tours in Japan and other countries in the early 1990s, he has taken the method of stepping up the existing frame by the newly introduced elements rather than traditional principles or laws. By doing so, he opened his own experiential horizon. Rather than choosing to continue the institutional music power as a professor at the Korea National University of Arts and as an art director at the National Orchestra orchestra under the National Theater, he chose to take a new course to pursue spirituality and world music at the 'Hwaeom Music Festival' held at Hwaeomsa Temple in Gurye, Jeolla Province. It is a feature that can be seen in.

At that time, there were also contacts with famous celebrities of the time, who were classified as so-called 'Undongkwon' such as Park Chi-eum, Kim Min-ki, and Yoo In-taek. At the time, in 1988, when the Seoul Olympics were held, on the occasion of Korean Liberation Day, on August 15, the festival of 'Unification Song Hanmadang' was held. At the 'Art Theater Hanmadang', opened as a theater dedicated to Korean traditional play (CEO Yoo In-taek), the festival led by Park Chi-um was the first musical accompaniment to Korean traditional music. 'Sorisawi' performed all accompaniment music as Korean traditional music.

In that way, Kim Yong-bae's presence and music greatly influenced his music identity. While serving as a class leader and a school president at the Gugak High School, he was fail the college admission to Seoul National University. He established a career as a major in Korean classical music and flute major (1986 student number), led by teacher Jeong Jae-guk, a master of contemporary flutes, and entered the path of a traditional music player in earnest as a minor in percussion including Samulnori.

WON IL was born in Seoul on October 19, 1967. In elementary school, he hit all things that sounded like a musical instrument: hollow gears, such as broken pots, crushed pots, planks, sticks, iron pipes, or bamboo, dig through holes. He mainly played snare drums and recorders, and in middle school he started playing the clarinet in the band. The clarinet he met while blowing the iron pipe was so fascinating that he swelled his mouth to swell.